Showing posts with label Exeter Trek. Show all posts
Showing posts with label Exeter Trek. Show all posts

Wednesday, 8 June 2016

Teaser: Exeter Trek's First (New) Frames


With all the concerns over productions such as Axanar and recently Horizon's sequel, Federation Rising, it's good to see a fan movie that's actually getting somewhere.

I featured Exeter Trek a while ago after discovering Star Trek: Exeter and then this new version at the same time. I reached out to John Sims, the man behind the project and found out a bit more. At the time all that existed was a very, very rough trailer and since that, a lot has changed.

Now, Exeter Trek has produced a new rough cut trailer that is more in line with John's vision for the project and it can be found right here on YouTube but what can we glean from these few minutes of new footage?

Aboard the experimental NCC-1672 USS Exeter the trailer opens to reveal that this is still going to be set during the Pike era rather than the Kirk era. The palette tones of the bridge and uniforms are more in line with the pale shades of The Cage even down to the blue railings and the lack of black collars.

The majority of the trailer however focuses on a three man away mission led by Captain Ellison J Moorey (John Sims). As it goes we have the away team decked out in the grey jackets and carrying those first versions of a phaser which much more resemble a ray gun than their successor in The Original Series.


Exploring a seemingly abandoned industrial area, the away team are evidently being watched by creatures unknown - are they mutated humans? A new alien race? We don't know but they are certainly hostile and have injured a senior Starfleet officer whom the Exeter away team manage to rescue.

Half of the trailer gives this brief introduction to the action of Exeter Trek plus a brief titilation of the potential effects that the production can add (a few phaser shots) while the second minute provides what might be the show titles and a few lines introducing the concept of the show and main cast.

I'll admit that it's not a lot to go on however the attention to detail with the set and costume does look perfect for that earlier era. The Exeter herself may not be seen in any action sequences in these three minutes but the passes we do get show that the CG has been produced magnificently, even down to a pass across the top of the ship which almost matches the opening shot of The Cage. Definite cudos for that one.

So Exeter Trek pushes onward and seeing this new footage gives me great and very optimistic hope for this "Pilot Era" show. It is quite basic in its approach at the moment but from speaking to John I know there's much more in the Exeter Trek pipeline.

Check out the trailer and more by visiting exetertrek.com right here and now.


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Thursday, 4 June 2015

Haunted by the Memories: Dreadnought Dominion Leaves Dock


While investigating the wonders of Exeter Trek I managed to get word on another fan series that's just kicked off.

Dreadnought Dominion has gone into production with a nice 20 minute bite-size episode entitled Haunted. If you're waiting for the arrival of Star Trek Continues' fourth episode to go live on 30th May, I'd certainly take a shot at this show.

Fans will immediately know the USS Dominion from the Starfleet Technical Manual researched and compiled back in the 1970's by Franz Joseph with that distinctive third nacelle, double deflector dishes and forward-facing shuttlebay. 

But let's find out a bit more about the series - for one thing, where did that spark of inspiration come from?

"Frank Parker Jr. was an extra and set builder for the web series, Starship Farragut." explained series producer Gary Davis, "It got a lot of folks, and him, REAL excited about The Original Series.


"Both Frank and I were also members of a Star Trek fan club, Starfleet International. Chapters were formed into ships and were mainly Star Trek: The Next Generation themed. Frank petitioned the club to change eras and reformed as a The Original Series chapter. He wanted something different for the Dominion fan club, so chose the Franz Joseph design for the Dreadnought Class for the chapter. After that, he then took it a step further, and asked the producers of Starship Farragut if we could use the Farragut Studios sets in Kingsland, GA to bring the adventures of the Dominion to life."


Thus was born Dreadnought Dominion. Looking for a plot for the adventure, Frank took a short story written by Gary and gave it to Randy Wrenn for a script treatment which turned into a near-total rewrite but eventually became Haunted and the episode we get to to see today.

It's been 19 months since the Dominion began her refit following a disastrous mission which saw the deaths of several members of her crew and Commodore Samuel Grissom (Frank Parker Jr) is still feeling the effects. This is very much focused on the commanding officer, tackling his feelings over the loss of so many crew and his own ability to lead the ship. Visited by the vision of his deceased first officer, Commander Don Chamberlain (Dan Scanlan) as well as a disturbing nightmare in which he is taunted and scorned by the bridge crew, Grissom does regain some of his confidence. So begins the new voyages of the USS Dominion.

Haunted is, not surprisingly, confined to the ship although there is a great intro sequence with Commodore Grissom and his Chief Engineer Stephen Denson (David R Wrenn) arriving at spacedock onboard their shuttle. This gives us a great first look at the Dominion but the problem is aside from that external titillation of this large starship, the physical differences pretty much stop on the surface. The interior shots all take place on sets that fan series followers will identify in a split second and unless you knew that it was supposed to be the Dominion you would be forgiven for expecting this to be another web-series based onboard the Constitution Class. 

"When Frank asked Randy to write the first episode, he knew that Randy was a fan, but he isn't a walking Star Trek encyclopedia." said Gary, "He definitely wanted to stay true to the original series in many ways, but wasn't interested in more of the same that we saw on The Original Series or other fan productions for that matter. That pretty much is what we are about. Our goal is to produce exciting, funny, and touching episodes. If we're really lucky, we might even make you think!


"You probably won't see episodes in which we continue, or refer back to a classic episodes either. We will just be making our vision to present a new and different crew while in the same venue of the 23rd Century Star Trek

"Star Trek Continues and Star Trek New Voyages/Phase II chronicle Kirk and company’s years which missing from the Enterprise’s five year mission. However, as mentioned and shown in The Original Series, there are other starships out there, other crews, and certainly other adventures. The popularity of shows like Starship Exeter and Starship Farragut, we see that folks do enjoy seeing other crews as well.."


If they do make more - and I really keep my fingers crossed that they do - there need to be some subtle changes or even some big changes in what we see on the screen - maybe additional bridge consoles, different seat placement, or more references within the script to the superiority of the Federation Class over the twin-nacelled Constitution Class. The availability of sets rather than building expensive new ones for this pilot would, understandably, mean that there is restriction initially yet with the intention to give a Dominion spin in the future. What I do think is a great point made by Gary is that they purposely won;t be making reference to The Original Series and will be, effectively, going it alone in their own way.



"We know that there are differences between the Dreadnought and Heavy Cruiser class ships, such as the location and number of turbolifts that open onto the bridge." said Gary, "We would have loved to have made the changes to make our sets canon, but the sets we used were existing sets and were being used by three other productions at the time. So, due to the complications of sharing the sets and the prohibitive expense of modifying them, we decided to forge ahead with the amazing sets that we had access to and hope that the fans would understand. 

"The studio has been since sold to the producers of Star Trek Continues, and are therefore unavailable for any future shooting. We have been in contact with another group of set builders to see if we could visit them and shoot another segment on their sets which are equally amazing sets. Again, these sets are shared by other productions in the venue of The Original Series, so altering them will not be possible. However, we don’t think that its actually necessary to be distinctly different in sets being that the starships from The Original Series were standardized and the look and feel is what makes this so exciting. 


"It's that feeling of familiarity with the sets and lighting that makes folks enjoy the shows all the more. The differences lie in the characters using those sets and the uniqueness of our stories. We do have our own commissioning plaque and the red diagram of a Dreadnought Class next to the bridge turbolift doors. Both these tiny differences play into the fact that while we’re on identical sets, however, it’s the Dominion…"



As to the cast, it's mainly Frank Parker who gets to shine here as Grissom since it is about his mental recuperation to a major extent. While the rest of the main cast dip in and out during the episode we really only get to know the commodore mainly due to the 20 minute run time. I know that this is something that will surely be corrected as we go forward. As it is, all involved give steady performances and there's nothing here that will make you wince or turn off - all is good on the Dominion.

"Haunted was a centrepiece show highlighting the captain’s struggle overcoming his guilt and gaining his confidence again to get back in the centre seat to continue the mission." continued Gary,  "It was a bit focused on that character in that it was his internal struggle, and literally his nightmares, which were the centrepiece of the story. Our third outing will continue the story that was introduced in Anchors Aweigh and Haunted, therefore more focused outward on the action. If we get the opportunity to do future episodes pas that, we hope that we would focus on other characters and other aspects that would prove interesting and entertaining. We definitely do not want our stories to be predictable. 


"Some episodes will concentrate more on being funny, while and others may lean more toward action or even romance. We do not want to constrain ourselves to a specific episode length. They could be anywhere between 20 minutes to an hour. It just depends on the story. Some stories are short stories, and some are novels."

"Our first episode, Haunted, was released on the internet in April. Our second episode, which was actually the first thing we shot, is very near completion and could be released within the next few weeks. We could have released these in chronological order, however, we felt that Haunted was much more polished and would serve better as an introduction to the series.

So far the team have mainly had positive reactions - apart from one which wasn't meant as mean-spirited trolling, but rather for constructive criticism concerning the sound levels. What receiving this kind of feedback does mean is that the team can improve, make changes and understand what things maybe didn't turn out just as they might have hoped.

Continued Gary; "We are fortunate that we have a ready made audience who enjoy fandom productions such as ours. Fans know of and watch Star Trek Continues, Star Trek New Voyages/Phase II and Starship Farragut. They know the sets that these are shot on are just plain DEAD ON to the real thing and when they watch Dreadnought Dominion, it’s a feast for the eyes."

Gary has always joked that the performances won’t win any Academy Awards, and even bad acting is improved by delivering lines on those awesome sets! Sometimes just looking good scores you points!  However, it's great that we had good story writing, great costumes, and folks who did gave a good performance in that they delivered their lines with feeling and were really into their characters. We even had some professional actors and those with performance experience in the past. You can tell who they are and they really added a shine to the production.


"Anchors Aweigh touches on the inquiry into the incident that damaged the Dominion as well as bringing our characters together for the first time. We have a script for our third episode which we are very excited about. It really serves as the completion of a larger story arc that began with the first two episodes. It is by far our most ambitious episode yet, with more action, more special effects, more aliens, and more fun."



What we do know is that the series already has another two instalments in the making - one which will premiere later in 2015 and a second lined up for 2016. Certainly there's no grass growing under the feet of this team and you can take a look at their progress and updates by visiting their website. We can look forward to Anchors Aweigh - a vignette which takes place two weeks before Haunted and Redemption at Red Medusa, both written by David R Wrenn who co-write the pilot with Frank Parker.

"It has taken us a great deal of time to get the initial productions together to where we could release them. We shot Anchors Aweigh in December 2013, and Haunted, January 2014. We released Haunted just this April of 2015, so that was a GREAT deal of time to get through post production." explained Gary,  "Our delays were incurred just trying to find the right group of talented folks who had the time and opportunity to DO the work. We had a GREAT SFX guy, Ken Thompson, who had all our opening credits, as well as ship exteriors, done very early into production. 


"For Haunted, we had to wait for an editor to put the live action shots together, and finally, to have sound and music added. Along the way, Randy and Gary taught themselves how to do the latter, and are now both versed in sound, music, and video editing. We are so excited to take on this work in addition to Executive Producers for our third shoot, and we fully expect to have that production much faster than our initial ones. In fact, we even did a sneak peek of Anchors Aweigh when we released Haunted. The production hadn't had music added yet, Randy and Gary took a night and in tandem to make a great music track using existing The Original Series music. We thought it came out great. We just have to tweak the audio and we’ll have our second production ready for release."


The Dreadnought Dominion team are planning on fundraising when they release Anchors Aweigh our prequel vignette. Gary noted that they have released what they consider to be the better product first, and hope that fans will tune in, watch the prequel and see that Dreadnought Dominion is really committed to provide an entertaining production. 

That fundraiser will help to fund the trip to a studio to complete filming. However, the team are committed to their shoot regardless, and if so, will foot the bill just as they we did with the two previous shoots. 

"Everyone involved just thoroughly enjoyed producing Dreadnought Dominion," recalled Gary, "I mean.. WHO wouldn't?! Putting on those costumes, stepping onto the bridge, walking those corridors.. While the special effects aren't added until later, when the doors open and close, you can really hear the WHOOSH WHOOSH in your head. When I sat in that captain’s chair for SIX hours doing two scenes one weekend, and even though the set was 40 degrees, there was no other place on Earth I wanted to be!"

You can see Haunted now by heading to the Dreadnought Dominion website HERE where you can also keep up to date with news on the show. Thanks to Gary Davis for his time in compiling this article and we wish the team every success!

Have you seen Haunted? What did you think?


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Thursday, 23 April 2015

Return of the Exeter

Updated and reworked with additional information from Exeter Trek


Back in the "dark" days when all we had was new Enterprise, a fan series came about that would energise fans and help inspire those who became the semi-pro Star Trek film-makers of today.

The show was called Starship Exeter and between 2002 and 2014 the universe of The Original Series and NCC-1706 lived on via the wonder of the internet. I say live on because, shockingly, there were only ever two episodes made in that 12 year period. The first, Savage Empire, was released in 2002 with its breakthrough coming in January of the following year due to coverage via SlashDot which crashed the hosting servers.

The sequel, The Tressaurian Intersection was filmed in 2004 with segments being released over a number of years with the full episode only being available in 2014; ten years later.

But why are we bothered about this show now? Surely everyone out there has reviewed it to death and it's "old news" as far as us writers and fans are concerned - seen it, done it, move on.

Not so. 

It seems someone out there wants to keep the Exeter name alive with... Exeter Trek.

If you've not seen it, Exeter Trek is designed as a prequel of sorts to The Original Series on the apparent secret prototype starship, the USS Exeter. Erm...At this point I shuddered as 50 years of canon was seemingly chucked out of a very tall building but I pray you refrain from that social media onslaught and read on.

I have supported fan projects a lot through Some Kind of Star Trek but with this I was initially disappointed before a minute of the trailer had run. Not because fans have come together to create a new Star Trek film but because they could have chosen another name and kept the canon. That said, it also provided a great chance to discuss the classic fan show, something one of my readers did ask about a while back and also to get in touch with the Exeter Trek team to understand more about their vision.

So it's time to set out the stall here. Starship Exeter's two episodes broke the fan film into the mass market and their legacy should really be respected. This new show could have chosen any name which could have helped circumnavigate that tricky prototype scenario they've cornered themselves with but no, instead they chose this one.

Let's step back and look at the legacy of those two episodes produced a decade ago. The Savage Empire might not be up to the levels of magnificence now being aired by the latest Star Trek Continues episodes but for its time it was mind-blowing, jaw-dropping; add your own cliché as applicable. Standing it next to the early Phase II (then called New Voyages) it's an equal in quality but their later offerings are much better which does hurt these stories a little. Remember - it has been 10 years since this was made and at the time, "cutting edge" would easily have applied.

The Savage Empire takes place for the most part on the Andorian homeworld on and below the surface. That fact in itself makes this an odd fan series with a lot of location work and, even more significantly, no full bridge set which is betrayed only by the fact that all the bridge shots are blue-screened and focus on just one portion of the command deck. Being a Star Trek show without much action aboard ship is very brave, removing the need to build some expensive sets but the budget could have stretched to a decent monster as perhaps the most hokey bit is the plastic alien Captain Garrovick and co fend off before heading below the Andorian surface. 

The minuscule budget does show through with some ill-fitting uniforms and questionable makeup for the rebellious Andorians and their Klingon associate but don't let that dissuade you from enjoying this snapshot of how fan-films started out. The cast itself is fairly small with The Savage Empire focusing mainly on Garrovick (understatedly portrayed by James Culhane), security chief Paul Cutty (Michael Buford) and Andorian comms officer B'fuselek (Joshua Caleb). The second installment take more time to also develop the character of first officer Commander Jo Harris (Holly Guess) who is confined to the bridge in episode one.

But before you start ripping the first installment to bits, remember that this was a more "primitive" time and this show effectively helped kickstart (all puns intended) the fan film explosion and thus the race to improve quality in what was being brought to the screen. The acting is perhaps more miss than hit but the soul of the show is there, the key elements of a starship, a planet in peril, aliens, phasers and a fist fight are all in droves. The scenario is very much A, B, C yet it feels exciting, refreshing and nothing if not experimental, testing the waters of what would be a continually developing medium. No doubt Gene would have been proud to know that the vision had been kept alive however it's The Tressaurian Intersection which makes the original Exeter's disappearance so disheartening.

With only a fraction of the location filming we saw in The Savage Empire, this second episode took a staggering NINE years to come to fruition with segments being finished and released sporadically until the final act was posted early in 2014. In the space of time from the opening of their first story to the closing titles of the second, there was such a radical jump in technology and opportunities. Not only is the video a lot clearer, the audio crisper, but the acting is a quantum leap from where they were in 2003. Add into that the CGI work here and Exeter had so much to offer yet never got the chance.  Just for that shot of the Kongo saucer section I could watch Exeter again and again.


The Tressaurians themselves are reminiscent of the rubbery (and much loved) Gorn from Arena but you're not really that bothered since the story itself is a big step up from its predecessor. I watched them in the wrong order so the step back was a fairly large shock considering the professionalism of The Tressaurian Intersection.

In contrast to The Savage Empire it's also set purely onboard the USS Exeter and this time with use of the bridge and a much more professional edge. This episode is a substantial step up from The Savage Empire in just about every sense, the acting, the story, the writing - and that's why seeing the name Exeter being used by another fan series just felt wrong. We get not only action inside the ship but no rogue plastic aliens instead we have the Tholians and a much tighter script which gives the cast some breathing room. This, sadly limited, production is one of the foundations for everything that's come since - would we have Continues or Axanar pushing the levels of expectation with each new release if it wasn't for the standards that the Exeter production team established?


I'd say "No" and I think a lot of fan-film fans would agree. In some respects, keeping the Exeter name alive is a great way to make sure this key segment of Star Trek fan history is remembered. Rumours do abound that the abandoned third episode, The Atlantis Invaders is being adapted as an audio adventure but for now, the only way that USS Exeter will arrive onscreen will be at the hands of producer John Sims who is also starring in the production as Captain Ellison J Moorey.


Based in the Pike era (and featuring Pike era titles), Exeter Trek has been searching for funds on GoFundMe but, as we'll see, that's just a small piece of the bigger plan. It's ambitious, Trek-retro and doesn't just follow either Continues or Phase II. Explained John, "Despite the small amount of money we have raised from GoFundMe, I have received private contributions in excess of $5,000. Not to mention my own payouts that exceed $10,000! Plus, we have set up a barter system for the post production as well as other aspects concerning the show. Basically, we have had the money and just needed some fandom help to push us over the edge to cover what we needed to bring a quality, action packed adventure-ala-1965!"

Getting very excited by this - maybe, because any vision of Star Trek and any opportunity to see something a little different even more so. The Pike-era setting is a curve-ball, a unique angle, but the level and quality of production is continuously being improved and redrawn and that's even true here with Exeter Trek that is barely recognisable from where it started.

It's also important to note that Exeter Trek has no link whatsoever with the Starship Exeter show and are more than aware that there's been use of that name before; "I and others are huge fans of what Jimm and Josh have done as well as their talents." said John,  "The reason we chose to use Exeter as our ship is simple and not because of Starship Exeter

I am the president (Captain) of the local chapter of Starfleet International. (John is here, far right) Plus, each chapter gets to choose a ship name and class of vessel. Seeing my family is from England and Scotland, I chose Exeter. She's been a main stay vessel in Her Majesties Navy since World War II and I thought it fitting. Also, being in the Pike era, we can explore a lot territory that is only mentioned on occasion in The Original Series."

The way that I discovered Exeter Trek was through falling onto the original trailer but times have changed since those couple of minutes were embedded online; "That promo video was made two years ago," recalled John, " and is very different to what we have filmed recently. Not to mention, major castings changes and a whole new direction I decided to take after we made that. We will have a new promo coming soon....."

And how has this all come about then, who has John got involved to make such a difference since those early days?

"Most of the production staff are folks that are good friends of mine. We, as a team, are the ones who helped out every Saturday to build the sets for Farragut. With Mike Bednar (big thanks for the support), Greg Greene and Royal Weaver leading the teams, we built the sets over a four year period. These folks have also come aboard to help with Exeter to help me see my vision of the future-past. They have also worked as Director, assistant director, sound engineers, lighting gaffers, etc,. These great folks have been on set for all the Farragut episodes filmed in Georgia as well as the early Star Trek Continues offerings. Plus, the all -new series Dreadnought Dominion (need to find out about this!!! - Clive) is another that some of my team worked on." said John.


"Our production team is simply put,..The Best! They care about making Star Trek that will entertain. Also, our acting talent, despite being local in nature (stage work, TV, commercials and theme park entertainers) have really brought out some great performances that will have a very organic feel. I personally have invested 1000's of man hours between writing the story/script, creating the characters, designing the costumes and constructing a number of them with the help of Lisa Colon. Props with help from Douglas Glenn and my main man with the set pieces...Mike McGee. Talent second to none."

And to back those statements up - not that he needed to after such in depth info on what's been happening - John kindly provided us with some great new promo shots including some of those Pike-era props including the phaser, communicator and console mini-monitors plus some shots from on-set filming. John, I was very honoured to receive them!

John has very clearly been super busy since I originally put this article together last year and through various events we've missed each other but finally I got a few words from the man behind the project; "On the weekend of January 4, we converged on the Farragut Films sets in Kingsland Georgia to shoot our interior scenes."


And remember that, unusually, this is pre-Kirk? Well - "We back-dated the sets some what to appear like those from the Captain Pike era (comparisons at the bottom of the article!). We spent two days there getting some rather good footage for our pilot. Very longs days, but we as a team, completed what we needed and then some."

In April this year the Exeter Trek team headed out to their location shoot and an abandoned cement facility to finish off the exterior scenes. Following that the story goes into post production for editing, effects, sound and the rest. "We also plan on filming a 30 second advertisement for a fictitious product that would seem right for 1965." added John, indicating that they'll be looking to recreate the effect of watching a whole hour of 60's TV, break and all. Add in the potential for some mini-sodes to keep us hooked..."Not to mention that we are in negotiations for a building space to build and house our own sets. But that's a story for another day I suppose!" he revealed.

The "original" Starship Exeter was a landmark, if a little rough around the edges - so maybe this new take is the perfect sequel if somewhat distorting the timelines we might have come to know and love. Now this unconnected production is making a bold step backwards if you will, exploring a time rarely seen in fan productions if only due to a lot of standing sets being from the Kirk-era.

Maybe we've now come to a turning point where there are two levels of fan production? On the one hand we have those which truly are done on a microscopic budget with little more than love and a prayer while on the other there are those vying to be the next big thing that every Star Trek fan wants to see and hold dear. Exeter Trek seems to fall more comfortably in the latter even though it is using one of the highest quality standing bridge sets in the US. However, although we might not appear to be highly confident now, in another two or three years who is to say that this won't be as big and as popular as Star Trek Continues?


John and the team are placing a unique spin on the fan series by placing it in the Pike-era which will make it stand out in the landscape of fan films which have traditionally walked the Kirk line. I am especially intrigued as to how they will have "de-aged" the sets to take them back to the look and feel of The Cage. I certainly look forward to hearing more from Exeter Trek as they develop their work.

Are you a fan of Starship Exeter and lament it's short appearance in fandom? What would you want from another Exeter installment if it was to happen? Does Exeter Trek raise an eyebrow? Drop us a line below!

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Images from Exeter Trek courtesy of John Sim