Showing posts with label Neelix. Show all posts
Showing posts with label Neelix. Show all posts

Wednesday, 6 July 2016

It's a Fake - and a Good One at That! The Official Starships Collection Issues 76 and 77


Two entries from the latter 25 years of Star Trek history this time and more precisely two that made their first appearances in 1997 and 1998. Even more notable, they're both shuttles...  

Issue 76 is one that will divide fans purely because of its character association. It's Neelix's shuttle Baxial. Likely to be remembered for being one of the heaviest additions to the series, the Baxial is a surprisingly detailed little ship. 

While its sporadic appearances in Voyager (just three) didn't give us too much time to see it clearly, the model does it a lot of justice. The metal front and spine are connected to the chunky rear section with the two mid-section side pods and the two landing pads constructed in plastic. The underside of the engine block and the nose are also plastic so the entire lower half looks to be a "slot in" to the metal upper. 

From the pictures used to promote this model it did appear very crisp and clean with the two tone paint scheme dramatically different. The brown/cream combo on the ship here is much better with even the smallest panels well marked out on the hull especially on that upper spinal section. The forward cockpit windows are blacked out as we've seen very often with these smaller craft and it emphasises the very angular design of the craft itself and of the application of the paint scheme. 

Aside from the airlock on the starboard side it's difficult to find anything that resembles a curve - even the slightest turns in the panelling have an angle rather than a smooth line. The metalwork on the Baxial is much stronger in detail than the plastic with the rear end being the most impressive. With the exhaust mainfolds and further tiny panel detai,l the engine block also carries three translucent exhaust ports to add that final touch - and these were only added in its later upgraded state from the seventh season.

The plastic undercarriage sections are very plain in comparison to the rest of the craft especially on the landing pads. I guess there wasn't a great deal of attention paid since this was a rush job and I'd err that there were more important angles that needed to be covered. However the joins on mine linking the plastic segments together and then onto the metal craft are very tight and clean. Can't fault the construction on the Baxial at all. 

One thing that is a bit disappointing is the stand. A very large clip, the stand fits around the rear of the engine block and I'm not convinced by its structural integrity. That said there doesn't seem like any other decent way to hold the shuttle and it does give it that 'air suspended' effect which has made a lot of these ships look even better.   

In many respects the Baxial model is a lot cleaner than the 'real' ship and comparing it to the magazine this becomes vividly evident. The one thing that the model hasn't been able to replicate is some of the subtle paint nuances, the weathering and the handful of antennae that are to the front and rear. If you think back to the Nausicaan fighter from issue 30, Eaglemoss somehow managed to recreate the antennae there. Maybe they were just way too small on this occasion.    

Even if your dislike for Neelix is a factor when it comes to this craft you have to admire the detail that has gone into its creation down to some of those extremely small panels and the snaking exhaust manifolds on the engine block.   

In the magazine we get the overview of the craft and its functions plus a reminder of its activity when we first met Neelix in Caretaker. Now we only saw the interior of the craft at that point and it would take until season three's The Chute before we were given a good look at the exterior. There's not really anything here to tell us how Neelix came by the shuttle or what its function was before Voyager so expect the usual retelling of key episodes such as The Chute and Homestead.  

The plan views this time are very good, adding all that missing weathering from the model while also giving a clear visual on each side of the craft. The designing section is pretty sparce here with just three paragraphs to cover the creation of the ship's exterior. This does indicate just how quickly it had to be designed and done via CG which wasn't the usual way at the time. 

Later appearances would see upgrades to the Baxial that were not present during The Chute.  Before Key Appearances we have a six page chat with Ethan Phillips not just about his role as Neelix (final appearance was Endgame not Homestead) but also as two Ferengi and that cameo in First Contact. It's a trip down memory lane with the actor recounting everything from favourite episodes to the makeup process and to the development of the Talaxian over the course of seven years.   

Ok. Biggie next. Issue 77 is the Romulan Shuttle. First seen - and only seen - in the brilliant In the Pale Moonlight, it was the first new Romulan design since the late 80s and the Scout Ship and made one huge impact. Being in such a huge episode won't have been a bad thing and the result here - in which we get to see the whole craft not just one angle - is great.  I know my podcast co-host Tiff is screaming blue murder right now because I have this little gem in hand.

Coated in the familiar Romulan green this time there's a more metallic tinge to the finished article and in fact there's two shades of green with a darker coat lifting the bird-like elements embossed to the back of the hull away from that lighter base coat. Just a note here that the model seems to be missing a couple of the silver wing edge trimmings that are on the upper hull at the rear of the wing - in the mag there is no 2-gap-three but a straight run. Also there seems to be a few more minor hull "blips" towards the tail that aren't on the pics of the original model either. Minor I know but for some it will be an issue.

For many the front end looks like the child of a reboot Cylon and Boba Fett (it was actually the Warbird design and a Spartan helmet) but it's still ever so distinctly Romulan with that pointed nose and the elliptical double wing cleverly woven into the back of the craft. That curve is a bit of a trademark which began with the Warbird and is also very clear on the Valdore from Nemesis.

This may very well be the ship with the most hype and excitement from the most minimal of screen-time. It has to be less than a minute at best but it's so damn good looking as a finished ship you can't help but be impressed.

Perhaps the shadowing and tones of the hull aren't as clear as you would see on the show and you do get less variation on a flat metal piece than the hull appeared in the show where space travel had (as with the Baxial) weathered it up. In fact pairing it with the Baxial this month is a bit of a stroke of genius since we have one very blocky shuttle and one curvy shuttle. 


It is, honestly, a great design, a beautiful model and one in my top ten for sure. I just love how they've replicated the lines, the curves and overall sleekness of this craft. While there are some highlights that the camera would pick out more I can't fault what Eaglemoss have managed with this shuttle and from every angle the finish (on mine!) is perfect. The metal/plastic joins are well hidden and defining what is made from what is actually a little more difficult. For reference the upper hull and the inside walls of the nacelles are in metal while everything else here is plastic - and its not to its detriment either.

The essence of the "bird" inspiration even goes down to the "feathered" tail effect that spikes from the rear of the main hull with the same ferocity as the fins on the engines. Finished off on the upper hull with the Romulan crest on the starboard wing and Romulan script on the port, the sides and bottom of the shuttle are perhaps even more delectable. Either side bears a silver toned hatch and panel markings all the way along and those twin warp engines have their own translucent blue collectors and warp field coils which offsets against the shine of the metallic green hull.

Apart from the horribly plain underside of the main/upper wing, the bottom of the Romulan shuttle is a ship fan's dream with every point of the hull surface etched with panels, machinery and even a couple of points of Romulan script on the smaller/lower elliptical wing. The level of reproduction here is mind-boggling and I would urge you to compare it with the photos of the screen-used model because it's virtually (not exactly) identical and only after a few glances can you notice the minor tweaks that were probably made to accommodate the detail in this much smaller scale for the collection.

As for the stand, it's a rear clip around the upper wing section and a very snug fit giving that "air suspended" feel once more. My clear plastic peg was a little big for the stand and did need a slight shave down to fit properly or the ship developed a lean after a few minutes. The Romulan shuttle is a clear work of art that somehow came together at lightning pace. Now perhaps as iconic as its lone episodic appearance, it's a niggle that it was never used again. 


So to the magazine and the 24 metre long shuttle (bit bigger than a Runabout) gets a little bit of its internals fleshed out as well as covering its armament, top speed and purpose which is more than we got for the Baxial. Mainly we get all the good stuff on page five before we're dropped into a synopsis of In the Pale Moonlight accompanied by a fair few screenshots from the episode itself. 

The plan views give is the ship from all the key angles and, as with the model, have some slight variances to the ship we received with the magazine. Bit odd that the collector's item is the anomaly here. We have four pages on designing the ship along with Doug Drexler's sketch and multiple shots of the filming model which was one of the last created for the series along with its landing bay set.  Quite funny to think the Baxial - which was seen more in Voyager only got two pages on its development. This was around for a blink-and-miss appearance and gets double that. 


As with the Baxial we also have a cast interview this time and it's with Andy Robinson who played Garak. While not obstensively focusing on the landmark sixth season episode featuring the shuttle, it does provide a look at Robinson's take on the role, Garak's relationships and his character transition from A Man Alone through to the finale, What You Leave Behind. Probably one of Deep Space Nine's most important characters, this is a worthwhile and interesting addition to the magazine

No prizes for guessing the Key Appearance section this week (seriously, do I have to say it?) with a good close up of the model which will have you squinting to check detail on your own miniature.

A strong month once again from Eaglemoss. Very, very strong and strong contenders for some of the best results to date (big statement but yes, I'll stick by it). Two solid ships where I really couldn't pick major fault. The build quality in recent times has picked up no end and these two are really nice to look at. Also note that this was a double shuttle entry to the series. We can effectively rule these two out from an alien set but doesn't this make a lot of small one/two person craft boxed very close together? We still have the Mission Scoutship from Insurrection close at hand as well and only recently we had the Bajoran Fighter for example.

Me probably being super-picky but hey, who cares what order they come in if they're as good as these two? As for next time we have the Voyager Aeroshuttle and Harry Mudd's Stella from the remastered The Original Series. After the brilliance of these two I'm happy to wait!

Was the Romulan Shuttle worth the wait? Is the Baxial actually damn good?


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Sunday, 27 December 2015

The New Arrivals: Thoughts on Collection Issues 71-76


Following December 23rd's news on the Doctor Who collection, Christmas Eve 2015 saw the latest update on the Starships Collection.

Giving us the next six issues from 71 to 76 what do we think to the announced craft?

71. Goroth's Klingon shuttle

One for the Enterprise fans here. I expect top drawer recreation again from that series but it'd not something I was hoping for. Nice addition but is it one of those fans eagerly want in the range? I doubt this will be exciting a lot of people however it is a very unique design and the first of three small support craft announced in this expansion.
Anticipation Level: 2/5





72. USS Enterprise NCC-1701-A

The movie Enterprise appears in its second guise and, if my chat with Ben is anything to go by it will make up for the poor refit we had in issue two so many moons ago. By far this was my favourite of the Enterprise namesakes. 

It will be interesting to see just what changes have been made on this one. Most of the anticipation is purely down to seeing how the model has been improved. For me it's an essential and one I've wanted for a long, long time. The anticipation level has to be maxed just because we're waiting to see if this is pulled off properly.
Anticipation Level 5/5



73. Borg Vessel Type 3

Our third Borg ship following the Sphere and the Tactical Cube and certainly this won't have a repetitive design since it's potentially the oddest shaped ship ever. Featured in The Next Generation's Descent we never got to see anything except the exterior. 

We've known about this for some time so not a big surprise I think a lot of fans will be excited to get their hands on another Borg ship.
Anticipation Level: 4/5







74. Bajoran Sub-Impulse Raider

Think this is the first time this will have been rendered in model form.  Taken from the third part of the Circle trilogy which opened Deep Space Nine's second season it's another one-appearance vessel that we barely saw on the exterior hence why I'm using the shot Ben chose to announce its inclusion.

For me as a Deep Space Nine fan I'm really excited to see something that isn't Federation or Dominion from the show. Hope it's a decent size too. 
Anticipation Level: 3/5




75. Captain's Yacht; USS Enterprise NCC-1701-E

Third from this batch that we already knew about before the Hero Collector announcement is the yacht from Insurrection. Maybe at some point we'll get the yacht from the Enterprise-D (although it wasn't see so that might not happen). It'll be the first model from the ninth movie and the one from this batch that I'm most looking forward to. 

We didn't get to see it in that much detail during its launch sequence so this addition will provide a much better appreciation of this fleetingly seen support ship. I'd go as far as to say that it's the one most people will be looking forward to.
Anticipation Level: 4/5


76. Neelix's Shuttle

Fourth from the six that had already been confirmed within the series but now we have an issue number to go with it.

Used only a couple of times once it was secured in Voyager's shuttle bay, this is still one of the key ships from the fourth Star Trek series since it belonged to a main character. 

Am I excited by it though? Not hugely however with the continuation of the collection we have to understand that there are going to be a lot more one-off's and unusual entries to the series.
Anticipation Level: 3/5

Overall a real mixed bag from lost CG recreations to support craft to legendary starships. Maybe the most eclectic mix of announcements yet? We've got one from The Next Generation, one from Deep Space Nine, one from Voyager and one from Enterprise and one from the classic movies so effectively every generation has been covered. One further note is that the Enterprise-J from Enterprise can't be that far away as Ben noted on Twitter that he's been discussing the final model. That'll be one to get pulses racing!

Just a reminder that this month we have the Voth Research Vessel and the Antares added to the collection and next month will see the arrival of the Phoenix from First Contact and the Xindi Aquatic Ship - the latter of which is really piquing my interest!

So what did you think to the latest announcements? Odd? Varied? Precisely what you would want?

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Wednesday, 25 September 2013

One of Seven: Voyager Year One – Part Two

Continuing a look back at Star Trek: Voyager Series One. A gourmet extravaganza of adventure helmed by Matt Goddard

 

In part one of this retrospective I looked at the premise of Star Trek: Voyager and its persistence in working against that in its first season.  It was unlucky, coming as the third live-action sequel, but its lofty mission was derailed by the perceived confines of the Star Trek series.  Now it’s time to look at the cast of Voyager, considering some of its strengths and mulling over the best and worst episodes before thinking long and hard about the worst season finale in Star Trek history.

Help! They've beamed out my lungs!
Novelty Characters

I completed part one of this retrospective considering how Voyager had simplified the Star Trek message.  An unfortunate an inevitable implication of this was that Voyager stuck religiously with the character of the week format.  As with other Star Trek series, that immediately put a lot of strain on characters who were difficult to warm to.  Novelty characters Neelix and Kes were hit the hardest.  Within three stories Kes’ nascent psychic abilities had emerged in the episode was (surely) wryly titled Time and Again.  Within five stores Neelix had his lungs transported out.  Neelix!  Sadly that episode wasn’t called They’ve Beamed out my Lungs! but that’s right - we were supposed to care about the Talaxian Morale officer’s fatal condition just five episodes in.  Both actors tried with their difficult and often blandly obvious characters.  Special mention should go to Jennifer Lien’s wonderfully level voice - but a nine year lifespan and insatiable swotting does not a likeable character make.  Fuse in the sudden telepathy - then ignored for several shows - and the comparisons with another counsellor are unflattering.

The show had strengths from the off though, don’t get me wrong.   Many of those weak points are shared with other Star Trek series.  The show was kept together by Kate Mulgrew’s sturdy performance and Robert Picardo’s brilliance. 

Picardo: A bargin at five times the size
Cast off

So, the crew of Voyager.  Mulgrew really is great.  She has that a distinctive voice and eye acting that fuses Picard and Sisko.  A good thing too, considering how central she is to the show.  Often the camera often just hangs around her, and unsurprisingly so.  Picardo plays a classic sci-fi trope but produces moments of great comedy that Ethan Phillips in his irritating role can only hope for.  The Doctor is instinctively funny from the off even if the concept doesn’t actually make much sense.  Elsewhere in the crew, Robert Duncan McNeill isn’t bad despite being given little to do except brat on about his piloting skills.  The result is a slightly more developed clone of The Next Generation season one La Forge. Kim isn’t too bad either...  Just a dull Star Trek trope that would be shown up far more in Enterprise when the same blandness was shared across several characters. Combine the two however, and their early exchanges relationships are excruciating.

The direction, budget and design were more sophisticated on Voyager than on earlier Trek series and that shone some unfortunate spotlights.   Robert Beltran puts in some great moments, but has a bit of a rough ride as a more spiritual Riker clone. It would be a few years before Beltran started to publically express his boredom with the show, but he seems a little distracted.  With every sweeping camera shot that keeps Kate Mulgrew’s nuanced performance in focus, his red decked form is slumping despondently in the background blur. That’s a bit of a shame. 

Full Klingon Torres: Mid sulk
In Voyager, the Spock archetype was fielded to Torres, who must contend with being both Klingon and human – despite reaching her mid-20s without doing so. It’s an episode like Faces that show the range that Roxann Biggs Dawson could bring to the show.  But as is probably realistic, the end result of the hybrid is a booming, glaring, mid-sulk teen.  Ah, but there’s a character arc with her and Starfleet you say?  Yes, at least three episodes of it.

Then there was Tuvok, good old reliable Tuvok.  There’s a reason that Spock was half human, why Romulans are great villains: full Vulcans are dull. Following Worf and ahead of Reed’s gung ho weapons lust in Enterprise, he really falls flat.  The position of confidant to the Captain is an interesting one, but worth so much less when the Maquis dynamic isn’t properly followed explored.  Tim Russ can’t be faulted for his performance which offers a slightly different Vulcan and even a hint of exasperated disapproval - if such a thing were possible.  It’s not a terrible thing that he has garnered more Vulcan screen time than anybody else.
It’s clear that all characters would have benefited from full serial arcs rather than the jumping between standard single episodes featuring the lesser characters – just as season three of Enterprise did.  

Seska: Not keeping up with Cardassians
That said, Voyager was a show was seeded more than many other Star Trek series.  Seska is interesting for one, creeping into the show in much the same way as O’Brien in The Next Generation.  Her reveal is a nice distraction late in the season, but draws another unfortunate comparison with Deep Space Nine.  While true to Cardassians’ stereotypical treachery, it’s a bit of a step back from Deep Space Nine’s subtly.  Just a few episodes later we see Tuvok attempting to discipline Maquis (yes, all four of them)...  And Seska’s name doesn’t even come up.  Chakotay’s inner-turmoil is a nice touch but it can only go so far as a metaphor for Maquis integration.  I can also see that Torres’ promotion scrap as a microcosm for the paperwork surrounding other Marquis crew members’ positioning (if I look really hard) but it’s all rather, to use a word, Basics.  Thinking about it, the fact there were so many Maquis on one ship in the Badlands seems very out of character.

The Best and the Worst

The first series has more than its fair share of generic Star Trek episodes, but there are glimmers.  An episode like Emanations really does go when no one has gone before; a believable, other quadrant conundrum. The two appearances by the Vidiians show that there are some good aliens on the horizon.  By Faces, they’re injecting some good old fashioned body horror into proceedings (poor old Durst, he’d only had one line before)

Ex Post Facto: Hercule Tuvok takes the floor
So, the best and worst:  A nadir has to be Ex Post Facto, where an interesting approach to a Star Trek Ex Post Facto’s a poor attempt at making a Voyager version of a Deep Space Nine ‘Give O’Brien Hell’ episode.  Aside from the monochrome flashbacks we also see Tuvok as Poirot – he even gathers the suspects in a room at the end! In retrospect a Vulcan is not the most charismatic of detectives, but there any strengths firmly end ...  We’re just weeks into a new quadrant and the Baneans are only the second civilisation that the Voyager crew meets.  Having initially sent off two scouts, Janeway then diverts the ship to free her man – Voyager's adherence to the Second Directive (the needs of the few) falls flat as soon as Paris and Chakotay make-up in Caretaker Part II.  There’s a cordial meeting with the alien race, with not a hint of translation issues. They even shake hands as standard and they let Tuvok into their prison facility with a phaser!  It’s incredibly sloppy but exposes where the creators’ interests lay.  They were willing to forgo consistency to pursue an idea. The episode collapses as if they completely forgot what they were making. Yes, it’s even worse than Neelix losing his lungs. Evoking a noir crime thriller at the beginning,

Eye of the Needle: Never trust a Vulcan Captain...
On the flip side, one highlight is Eye of the Needle. I’d been looking forward to it actually - I remembered its interesting temporal element and of course, it features a Romulan!  It is a neat, if slight 44 minutes.  It’s mainly let down by the delivery of its denouement.  Laugh a minute Tuvok chooses a rather un-dramatic (and illogical) time to check the Ship logs and tell the crew that the Romulan died some years previously.  “I thought I’d wait until the Romulan had gone before I ruined your day’” effectively. That said, it’s not a clean-cut story and although it’s narratively undermined, it’s the kind of science fiction that Voyager should strive for.

Special mention should also to the great holodeck romp Heroes and Demons.  Mainly because it’s a Picardo-centric episode and had the courage to draw parallels with one of the earliest works of the English language.  Brave.

No! Not Piller-filler...
Language and Legacy

It’s difficult to consider Voyager without thinking about its script and language.  That’s one thing that Voyager didn’t simplify.  Its use of technobabble is truly atrocious.  It really does feel like it was deliberately ramped up because that’s what viewers wanted.  I presume that the same would have happened in DS9 had they spent more time phasing anti-time and less time talking politics.  In Voyager, it’s off-putting and in Janeway’s case it diminishes her hands-on nature as a scientist.   It was a trick that The Next Generation never resorted to – or was it?  On that revered show, the cast called it ‘Piller-filler’ in reference to executive Producer Michael Piller.

The late Michael Piller is not just regarded as a legend of Star Trek.  The first episode of Best of Both Worlds remains one of the greatest pieces of television ever made.  But with Star Trek: Voyager, something went a little awry.  Was it him or co-creators Rick Berman or Jeri Taylor..?  Was the many producers including Braga and Biller?  It’s not just that the The Next Generation crew had split – for instance Klingon specialist Ronald Moore had jumped to Deep Space Nine and time fetishist Brannon Braga had been left to Voyager for the majority; split like Maquis and Starfleet.  Everyone involved has produced great film and television at points, but here the premise, the crew construction, the approach to the conceit... While it must have looked good on paper, it wilfully bucked growing TV trends.  

If anything Voyager was a show that looked back to the 1980s and not forward to the 21st century.  There should have been the courage to commit to the innate drama of the series and not find a middle-ground by including at least ten stories that would look extremely average in any Alpha Quadrant set show.  Voyager would have been far better off finding a different solution to its pitch than the 75,000 light year trek.

A Simple Quest

As it is, Voyager took on one of simplest tales – the quest.  It’s The Odyssey, exactly The Odyssey.  It’s the search for the Grail. It’s the powerful, instinctively human quest story that has been told for millennia, the kind that Joseph Campbell’s eyes would widen at.  This was Star Trek’s only prolonged stab at something that monumental.  And they kind of missed. 

Sure, Enterprise’s stab at the Prometheus myth would later similarly flounder in its first season, but Voyager always niggles the most.   As I look on to Voyager’s following six seasons, I find one fact hard to avoid.  In the final episode of an admittedly shortened season one (16 episodes), just when you expect a cliff-hanger in true Star Trek style...  The antagonist turns out to be actual cheese.

"Get the cheese to sickbay"?  How did they let that one through?

Sadly, at the end of the first season it looked as though Voyager, unlike the villainous cheese, may take a long time to mature.

(NB - the actual season finale was supposed to have been The 37's but the last four episodes produced for season one were shipped to the beginning of season two. A shame as the ending of The 37's makes a hell of a lot more sense as a season closer than Learning Curve - Clive)

You can also read Part One of this article right now by following this link