Passing the Torch in a Good Way

It's been over 20 years since the brilliant Trials and Tribbleations crossover which in turn celebrated 30 years of Star Trek back in 1996.

It's a conversation that naturally spilled onto Twitter as we reminisced over its brilliance and appeal and got a few people wondering a couple of things about 2017. Will be 30 years of The Next Generation and therefore a potential excuse for a crossover/homage in a certain new Star Trek show plus could there be a way of "handing off" old to new?

Bryan Fuller has publicly said that Discovery will be very different to anything we've seen before so might we actually miss out on this event because he wanted it to forge a very specific identity? 

Being objective it would be logical for the handover to be from Captain Archer or T'Pol for instance since that would be the earlier series in the timeline. I recall that there were suggestions of an Admiral Archer appearance back when it came out that the show would be set 30 years before the five year mission of the USS Enterprise as commanded by Captain Kirk. It would be very fitting too since Enterprise was the last Star Trek show to be on screens eleven years ago and when is seeing Scott Bakula on TV a bad thing anyway (although Archer would be over 100)?!

However, is this really essential to the show? Do we need to have a homage to 30 years of The Next Generation or even an appearance from a character from one of the older series to welcome in this new era of the 50 year strong Star Trek franchise? Might it in fact just be a cheap stunt that would look like the new show seeking out approval for its existence from its predecessor? 

If we look back to The Next Generation, Roddenberry was loathe to link back to The Original Series avoiding any major character connections until Sarek in season three. It's well recorded that Worf was a late addition to the crew as he even wanted to avoid the inclusion of any races featured in the 1960's show. We now know that this character will be turning up in Discovery but is it too soon? Is it right that we should be linking the show in to its illustrious predecessor so soon and with such a well-known Vulcan at that? 

DeForest Kelley of course made an appearance in Encounter at Farpoint but the role was not specified (at the time) as McCoy and The Naked Now mined a season one episode, Heart of Glory did bring back the Klingons with a bit more force but does Discovery actually need this kind of link to the past? The reference of the Klingon War (or whatever the event the season will focus on) should surely be enough to tie it into the franchise's rich history and plotted timeline. I don't think a nod to The Next Generation is necessary and given that it will be 100 years in the future of the new show it might be a little shoehorned. In that respect it's time for Picard and crew to celebrate their 30th in some other way and let Discovery get on with its own thing. Those early links didn't damage the show in this instance but rather linked it firmly into the same universe and reassured fans that they were still in the same place just a few years later. 

What other little links in could there be if we remove this necessity to honour 30 years of The Next Generation? How about a younger Number One in the earlier years of her career perhaps? Maybe Commander Robert April could turn up or what about us seeing the ship that crashed on Talos IV be launched on its mission? These could all be well woven into the story or even in a quick insert scene but are we, the fans, just too wrapped up in Star Trek's history and what HAS to happen that we're not actually giving Discovery the space it needs to grow and develop? Cameos and crossovers are all good but we don't want to only be talking about those aspects of the show the night after its May 2017 premiere. We want to be discussing the new characters, if the ship is better than the previews, was the story suitable - did it push the boundaries that The Original Series dared to push? 

I think that a passing of the torch might well be the worst thing that could happen to Discovery and already the "different" approach is worrying some fans because there's the fear it will stray too far from the established Star Trek concept. I don't believe that Discovery is going to be terrible and I'm taking all the conspiracy vids with a pinch of salt and a spade of scepticism but I would feel more comfortable if it went it's own way before chucking in the familiars (maybe) just to get some viewing figures from long-time fans whoa re wanting to see how f**ked up Fuller and his successors have managed to make it.

That's definitely going to happen if we take the inclusion of a Klingon captain and two admirals in the cast that injects the point that there will be multiple base locations for the show which is a break from the single starship or starbase proposition of previous series.  Oh and that's nothing to say about the resistance to the intimated new/revised look of the Klingons from that sneaky on-set pic.  Just one additional note it says Klingon captain but does not say that its a Klingon captain of a Starfleet ship so I think Worf's position as the first of his race in the ranks is safe. Calm down people, there's clearly gonna be more than one ship in the picture on this new show.

Previous Star Trek series have handled these nods to the past with varying levels of success - Relics was the ultimate in character-worship homage episodes with Scotty returning from the confines of the transport buffer and regaling the crew with stories from the five year mission. Deep Space Nine's Blood Oath immortalised the Klingons from The Original Series, Flashback wobbled precariously between celebration and a bit over hammy while Unification was all build-up and then lacked the punch that we all hoped Spock would bring. Ultimately the 30th anniversary Tribbles installment is pure love in every frame and is the best tip of the hat to the franchise's history ever. 

I think a guest appearance is something that will make fans happy but might rub against Fuller's concept that Discovery is going to be radically different. Enterprise's inclusion of Zephram Cochrane and the homage to The Motion Picture through the departure of the NX-01 were smart moves and the new series needs to offer that subtlety if it is going to honour its past.  Discovery can and I believe will intelligently hint at its five decades of history in a way that it will not detract from the flow of the story, not alienate new viewers and yet please long term fans. Not a lot to ask of the producers and writers then huh?

I don't think so and let's give it a couple of years at least before Captain Worf travels back  in time from the 24th Century for that commemorative episode. 

Who would you like to see turn up in Discovery for a cameo? For a recurring role perhaps or maybe you don't want to see any familiar faces?

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A Fitting Legacy? The 50th Anniversary Trilogy

I'm still pretty shocked I burnt through these three novels in the course of just three weeks.

The Legacies trilogy consists of Captain to Captain (Greg Cox), Best Defense (David Mack) and Purgatory's Key (Kevin Dilmore and Dayton Ward) and spins a tale surrounding a mysterious object known as the Transfer Key that has been hidden aboard the USS Enterprise since the days of Captain Robert April with its secret transferred from captain and first officer to their successors which brings us neatly to Kirk and Spock.

The three novels follow on seamlessly but each has a very different story to tell using the Transfer Key as the cornerstone from which everything is built. Cox's first third of the story is the origins piece, cleanly establishing the nature of the device and relating it very closely to another item which made an appearance in The Original Series. An origins story might not sound that exciting but the gem here is that the story flips back in time to the era of April and it's discovery and concealment. 

Central to the whole thing is one character - Captain Una aka. Number One from The Cage who served under both of Kirks predecessors on the Enterprise. It is her arrival at the beginning of Captain to Captain which sparks events into motion and by the end you kind of wish she'd just stayed away and saved everyone a heck of a lot of haste. 

As a character never really explored beyond the hour of the unaired pilot, Number One is a huge blank canvas waiting to be sketched out. Or maybe not. As for background we do get some details as to her academy record and the reasons behind her numerical nickname and short chosen moniker as well as a cool nod to the Enterprise's computer voice and just how come it sounds the same as Una. 

Along with the Transfer Key at the core of the first book we also have the introduction of two alien races whom will also be featured across the anniversary trilogy and cross paths with the crew and the returning Number One. Captain to Captain however does not work solely as a standalone novel because Cox is tasked with a lot of set up and explanation which is handled well and does give the subsequent books a lot more room to breathe. I actually found this first book the most captivating for that very reason and that Cox seemed more aware of his environment than Mack who slipped in a couple of very out of place colloquialisms that did jar me a little when I was reading through. 

In relation to characterisation Cox also nails this very well avoiding turning the cast into all out action heroes and retaining a sense of The Original Series. In relation to Best Defenses especially I did sense that Mack went off on a big action adventure piece with apparent influences from the more recent reboots perhaps affecting the way in which the story evolved. While it was an enjoyable read I did feel that Captain to Captain created an epic path and prospects that weren't captured fully in the second part. While it's a good read there are a few final points that just seem to come out of nowhere to bolster the trilogy but fortunately they are managed very effectively by the subsequent writers.

Now Best Defenses is, fortunately, different to its predecessor taking that more action orientated slant but also drawing on Star Trek's rich character base to add a slab of continuity to the proceedings. Klingons, Romulans and Vulcans all have their place at David Mack's table including such franchise returnees as Gorkon (The Undiscovered Country) and Spock's father Sarek although whether all their presences are necessary is a bit borderline.

Again the action content is pretty heavy and there are now several different threads to manage so skipping book one is not an option. There's the conference, Number One's activities in the alternative dimension plus the goings on aboard a Romulan Bird of Prey to balance and remember. It's not as linear as Captain to Captain but the amount of information and development that happens in Best Defenses cannot be ignored in any sense. 

As for characters Kirk and the Enterprise crew are faithfully recreated and I find with authors such as Mack and Cox they tend to avoid the use of colloquialisms that jar you out of the 23rd Century environment. It's faithful to the show and with this being the Legacy trilogy it would be silly to expect anything less than an indulgent - and period accurate - read. While Mack has Sarek pinned well there are times he almost slips into an action hero role but one representation i just couldn't grip properly was Gorkon. The soft spoken statesman from The Undiscovered Country might be a fair few years away but there's very little hint of that personality within Best Defenses and more so in Purgatory's Key. For some reason he is most certainly cast in a more active and warrior-like Klingon role than you appreciate in the sixth classic movie. Sadly it's a blip that does give me a grumble in an otherwise highly enjoyable trilogy of books.

The supreme issue with this book and by association the trilogy is that the wrapping up of the various strands is done in a smattering of pages and seems to be over before it's even started. Ok there's a little bit of cleanup work after that but the drawing together of (most of) the story elements does feel a little rushed given the 900 page build up. As a trilogy it really does offer lots through the first two books with the second not just a place holder and instead building and adding to Captain to Captain. Problem is that there's a lot left for Purgatory's Key to do and even with a 340 page offering to round everything out it still felt a little incomplete and hurried.

The writing itself is solid and there's no schoolboy errors here but the quality of the end result is just tarnished by that breakneck pace to clean everything up nicely. I could have more than abided a few loose strands left floating for future stories but alas that doesn't happen although I would welcome some more novels to feature Number One now that she's stepped into the limelight here - so much potential. 

The Legacies trilogy is a grand milestone in the literary series however its memory might fade pretty quickly especially since there's the rather impressive Prey trilogy right after it...

Was Legacies the trilogy we deserved for the 50th anniversary? Were you wanting more or something totally different?

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Our 50 Greatest Moments

Some time ago we revealed our 50 greatest episodes to celebrate the 50th anniversary of the phenomenon that is Star Trek.

But this got us thinking even more and now we can proudly (and belatedly) bring you our choice of the 50 greatest moments from the franchise's on-screen history. Some you'll nod in agreement to and others - well - we look forward to your comments because it was a right pain just to pick 50! So in no particular order let's kick off with an emotional powerhouse...

Picard plays the Ressikan flute; The Inner Light (TNG) 

Is there a dry eye left in the house as Picard plays tribute to his life as Kamin. While it's good to have him back, you feel the captains sense of loss in every single note in that final scene. One of the most perfect episodes of The Next Generation maintains its power and emotion right until the final moments fade to black. Television magic.

Captain Sulu arrives with the Excelsior;  

Star Trek VI: The Undiscovered Country

Just when it looks like it's the end of the road for the Enterprise, the Excelsior arrives to take off some of the pressure after Sulu's been flying her apart from the Beta Quadrant. A rare double team starship battle against the might of Chang's cloaked Bird of Prey. A fantastic send off for the original crew as the two Starfleet vessels finally lock on and pummel their opponent with torpedoes..."To be...or not...to be...?" 

“Mr Worf; fire.”; The Best of Both Worlds, Part I (TNG) 

Cue the music, cue Locutus, cue spinning camera as the weight of the galaxy falls on the shoulders of Starfleet's most reluctant captain. Jean-Luc has been captured, resistance is apparently futile and they have one last shot to finish the Borg before they continue on their course to Sector 001. There's one decision that has to be made - save humanity or save Picard...? To Be Continued...   

"It's REAL!"; 

Far Beyond the Stars (DS9)

Blimey that Avery Brooks can act. Returning to the office after being brutally beaten by two cops, Benny discovers he's been let go by the owner. The thin veneer cracks and in seconds Russell is a wreck with nothing left. A harsh allegory to the US' segregated past that delivered everything and two kitchen sinks. Brooks was at his peak, truly caught up in the turmoil of the writer.

Humans and Vulcans; The Forge (ENT)

As Soval and Forrest finally realise that they want the same thing it all comes crashing down with the terrorist attack on the Earth embassy on Vulcan. A touching moment where we see that these two, who have been gunning for each other since Broken Bow have a deep respect and admiration for one another and there's a glimmer that their work together will be very profitable for the future. Sadly it never comes to pass. 

Beaming into the Mirror Universe; Mirror, Mirror (TOS)

Daaaaah da da da da da-daaaah and so comes the creation of the symbol of every alternative or evil character version for he next 50 years as Kirk, Scotty, McCoy and Uhura step from the transporter platform to be confronted with the goatee adorned first officer of the ISS Enterprise. Nazi salutes, agonisers, the Tantulus Field and scarred Sulu all followed in the next hour but the first second on the flip side of the mirror are never forgotten. It's Spock alright but not as we know him.   

Kirk sees the refit Enterprise; 

Star Trek: The Motion Picture

A love letter to the USS Enterprise and every starship fan's wet dream as Kirk tours the exterior of the completely overhauled vessel. It's the first time we got to see all the upgrades to the ship and to appreciate just how amazing a job had been done to transform the original version into something worthy of the cinema screen. Beautiful, visionary and a landmark moment for the franchise. Star Trek was back.

"The sky’s the limit."; All Good Things... (TNG) 

After seven years of reading Shakespeare in his ready room, Picard made it down to join the senior staff for their weekly poker game. If nothing else it was the chance to get the main cast together for one last shot as the series drew to a close and prepared for the transition to the big screen with Generations. Picard deals, the camera pulls back and the USS Enterprise flies onwards to new adventures... We all blubbed.

Dukat finds Sisko’s baseball; 

Call to Arms (DS9) 

It's a message... And it sure as hell is. Dukat cradles that baseball like his life depends on it for the following six episodes as he fears the return of his Starfleet nemesis. Ben commands the Defiant to join the fleet and we have the following season all nicely set up with the station in the hands of the enemy. A brilliant scene and a clever message that is superbly mirrored in the following year when Sisko takes it with him back to Earth - will he return? Not even he is certain. 

The Kiss; Rejoined (DS9) 

A touchy subject that is only now getting the true recognition it deserves in Star Trek Beyond and definitely in Discovery. Single sex relationships were danced around but is moment was as close as Star Trek dared to tread to actually having a gay relationship. Technically it wasn't and that fact made it a bit of a cop out however the kiss was between two female actresses which was a first for the franchise in any sense. 

Borg Defeated; Scorpion (VGR)

The shortest pre-titles teaser in Star Trek history sees the destruction of three Borg cubes in a matter of seconds. What the hell can do this? What has such immense power that it can defeat the Borg so easily? Species 8472; that's who.   

"Edith Keeler must die."; 

The City on the Edge of Forever (TOS)

A line that has echoed through 50 years and has as much resonance now as it did then. The City on the Edge of Forever is a truly tragic love story that will always be a true classic of the franchise. While I could have picked Keeler's death, it's this moment in which Kirk realises the darkness of the situation. The woman he loves must die to ensure the future happens as he remembers it.   Kick a man when he's down...

Four Lights; 

Chain of Command, Part II (TNG) 

Uncomfortable, distressing and one of The Next Generation's darkest points is the one on one battle of wills between David Warner's Gul Madred and Stewart as the tortured Picard. The final attempt to make Picard break is harrowing to the core, even more so when you later discover just how close he was to actually cracking completely 

Worf kills Gowron; 

Tacking into the Wind (DS9)

We waited from 1991 to 1999 for this. One of the best combat sequences filmed for the show sees the Chancellor of the Klingon High Council get his comeuppance after eight years. While it's not all been bad, we have been waiting for Worf to do the deal for some time (at least since Apocalypse Rising) and here he gets the job done with two broken blades from a bat'leth. Brutal but befitting Gowron to go out in style. 

Intro shot; The Cage

The camera pans down into the bridge of the USS Enterprise and we see the familiar set up of command staff and stations that will be as recognisable as the back of your hand 50 years later. While the pilot wasn't shown originally it's still seminal in every way and that opening must have been incredible in 1964.   

Sisko erases his personal log; In the Pale Moonlight (DS9)

"Computer; erase that entire personal log." Screen fades to black, credits roll and you get that chill down your spine that you've just watched something very, very different. Sisko broke the mould of what a Starfleet captain was expected to be in this episode which defined the character in every sense. His conscience gets the better of him as he removes all the evidence...

Command Codes; 

Star Trek II: The Wrath of Khan

One of two entries in our list for the second classic movie and understandably so. Seemingly cornered, Kirk goes back to his academy roots and cheats to buy the Enterprise a bit more time. The dialogue here is wonderful as Kirk counter-plays Khan using his own superior knowledge of the 23rd Century to take a seemingly hopeless situation and turn it around in an instant. Who doesn't remember 16309?

Kirk on the limit; Obsession (TOS)

Not one to appear on everyone's list but dammit it's on this one. A terribly underrated episode that has Kirk right on tipping point. His ultimate refusal to give up and declination to turn away has echoes of Moby Dick and for a rare moment you do find yourself logging on to the rest of the senior staff's wavelength when he decides to beam down and exterminate the creature. 

O'Brien and Bashir lineup for Kirk; Trials and Tribble-ations (DS9)

Filled with fan-pleasing goodness from the opening seconds, the inclusion of Bashir and O'Brien in the post-fight chew-out by Kirk is brilliant. Having Miles respond to the captain as well was inspired and their addition is flawless. To be fair I could have picked a ton of snippets from this episode but this just pipped it.

The "elastic band" is snapped; 

The Visitor (DS9) 

An emotional train wreck of an episode that sees Jake desperately searching for a way to bring his father back from subspace at the cost of his own hopes and dreams. The moments when the two are briefly reunited are the kicks to the story and the final time when we see that Jake is purposely killing himself to snap the cord and send Ben home is heartbreaking to say the least. Tony Todd is a master in the scene and this was his finest Star Trek guest role ever.   

The Borg are sighted; Q Who (TNG)

Guinan's warning isn't heeded by Picard as the Enterprise encounters its first Cube in system J-25. We're all screaming at the TV to get the hell away but Jean-Luc has to go and start prodding the hive with a stick. Subsequent appearances would have incredible impact on the franchise but their initial, silent and chilling appearance on the viewscreen here only just hinted at what might come.

Kirk's birth; Star Trek (2009)

Opening the reboot movie in 2009, the very feel of the USS Kelvin shows how different this was going to be. It was a grittier ship, much more basic and to a big extent much more grounded in technology familiar to us in the 21st Century. The background chatter is a lot more realistic. A truly dramatic opening sequence as the Kelvin is obliterated by the Narada just as Jim Kirk is born and his father makes the ultimate sacrifice. At the same time JJ raised his mid-digit to the fans and spun off into his own alternate universe...

"My God Bones, what have I done";

Star Trek III: The Search for Spock

In real terms they were watching a tennis ball on a string but on the screen the death plunge of the first USS Enterprise is nothing short of spectacular. The crumbing saucer, the bridge exploding around the Klingon boarding party and finally the crew watching their former home race like a fiery comet across the sky marked the end of an era. Everything had been sacrificed for one Vulcan and this was a daring moment for the franchise to destroy one of the most sacred things associated with it.

Greeting the Vulcans; In a Mirror Darkly (ENT)

The alien ship lands and Cochrane steps forward as its occupants step out. They offer a simple greeting - and in return get shot. Totally unexpected and brilliantly executed (apologies for the pun) leading into this much darker two-parter set purely in the Mirror Universe and that included the titles. A return to form for the Mirror episodes too after the lacklustre final two outings from Deep Space Nine with every member of the cast being effectively used and Sato turning out to be a bit of a dark horse.

Spock returns; Unification (TNG) 

"And Captain Picard you have found him..."
The second part a disappointment after this insane buildup. We waited an hour for a glimpse of the man himself and in seconds there was the ultimate payoff. Spock was back. Shame the second half didn't pay off with quite the umph we wanted.

"Do not grieve..."; 

Star Trek II: The Wrath of Khan

Even 33 years later this scene has an effect. It is seminal. It is THE scene that defines Star Trek in every sense. The battle is won but for Kirk the no-win scenario becomes real as he loses his closest friend to save the Enterprise. Nothing has come close to the brilliance of this moment in the whole franchise because Shatner and Nimoy are simply all over it. Oft-quoted, oft-homaged, never bettered. 

Enterprise is critically damaged; Azati Prime (ENT)

One of the show's best ever episodes and well worth a re-watch. Just as everything seems to be coming together it all goes horribly pear-shaped. Archer is captured by the Reptilians and then the Xindi head after the NX-01 to put an end to the Earth ship. A dark day for the Enterprise and a situation that saw the ship battle-scarred for the rest of the year.

The Picard Speech; 

The Measure of a Man (TNG) 

One of the great monologues of Star Trek and no listing would be complete without it. Patrick Stewart nails every word from start to finish with total, unwavering commitment. He believes every word and by association so do we. He made us care and by god we did on every single syllable.

The Triple-Cross; Counterpoint (VGR) 

Janeway and her opponent have been dancing around each other for the duration of Counterpoint even to the point where we believe the Devore inspector Kashyk (not to be confused with Chewbacca's homeworld) has defected when in fact he's just working a scam to uncover where the Voyager crew are hiding the telepathic Brenari. The moment you realise that he might have won - only to see that Janeway has already taken precautions is a rocky emotional ride from low to high. Brilliant writing and a fine end to a superb episode.

Voyager makes contact; 

Message in a Bottle (VGR)  

After six years of wandering the wilderness there's a glimmer of hope when the Doctor returns from his adventure aboard the USS Prometheus in the Alpha Quadrant. While this episode kicked off the brilliant Hirogen arc culminating with The Killing Game, it offered hope to the crew with the words that they were not alone. The journey home was certainly a little shorter...

Klingon Bird of Prey decloaking; 

Star Trek IV: The Voyage Home

The whaling ship fires its harpoon and with a clang it stops and drops into the sea. The decloaking of the HMS Bounty is one of those great moments that you always look forward to seeing and is one of those images you just never quite expect to see.

Entrance of the Borg Queen; 

Star Trek First Contact

For the duration of their appearances in The Next Generation, the Borg had been a malevolent horde driven initially to acquire technology and become the dominant species in the galaxy. In First Contact there was a dramatic shift as we experience assimilation and the goal to turn just about everyone Borg. However there needed to be a voice to speak for the Borg and with the Queen we were given a focal point and a way to solidify the "hive" concept. Her arrival in the second The Next Generation movie emphasises her importance no end as well as introducing her as a deadly and seductive force to deal with.

Jean-Luc and Robert fight; Family (TNG)

The previous two episodes had put the crew and the audience through hell and back but in a bold move the writers didn't hit the reset button for the second story of the season and instead chose to handle the aftermath. The Picard brothers are at loggerheads for the best part of the episode with a scrappy fight culminating in Jean-Luc opening up about the terrifying experiences he had at the hands of the Borg and his inability to stop the killing. If you thought Stewart had given everything for The Best of Both Worlds, watch this.

‘Time's up!’; Year of Hell (VGR)

Janeway goes Full Janeway and solves the issue of the Krenim time incursions in one brutal manoeuvre. Everything gets reset and Annorax even gets a better shot at his life away from eternity confined to his ship. Watching the remains of Voyager crumble into dust is a beautiful effect just a shame that the whole year is wiped away in an instant. One of the show's best two-parter's where anything was possible.

Voyager down; Timeless (VGR)

As 100th episodes go this is a belter at every beat but the thing that gets us all is seeing Voyager helplessly careering into the ice planet with it's trip home cut dramatically short. It was a toss up between this brilliant sequence - which made the saucer sequence in Generations look like a basic fan film - and the pan back to show the Intrepid Class starship entombed in the frozen waste. Classic.

Dukat reacts to Ziyal's death; Sacrifice of Angels (DS9)

Clutching Sisko's baseball, Dukat's world falls apart as his daughter is killed by Damar in the rush to escape Deep Space Nine before the Federation/Klingon fleet retakes the station. He's lost everything and the only person that really meant anything to him. A top class performance from Alaimo as his dreams come to an end. 

Captain Picard Day; The Pegasus (TNG)

"The resemblance is rather striking; wouldn't you agree Number One?!"
A stroke of genius that points you in completely the wrong direction to the dark path that the episode eventually takes. Not a story without some fine moments in itself, this opening skit shows how that Picard/Riker relationship has evolved since Encounter at Farpoint as well as the captain's "appreciation" of a boat-load of children.

‘Sir, I protest, I am NOT a merry man.’; 

Qpid (TNG)

If ever there was quotable Star Trek... Worf's displeasure at his Sherwood Forest attire tops his Justice "Nice planet" observation from season one. Ever one for the briefest of quips, it was the security chief at his most uncomfortable and, by proxy, funniest.

"We’re back!"; The Neutral Zone (TNG)

Aaaaah yes. This was a curveball if ever. The first season had been uneven as the show found its feet but the appearance of the Warbird and the announcement that the Romulans were returning from their own self-imposed seclusion was a massive event to finish the year. Shame they weren't utilised more effectively until season three with episodes such as The Defector and The Enemy.  

Tasha Yar reappears; Yesterday's Enterprise (TNG)

The Enterprise-C appears, Picard steps aside and we all expect Worf to reply to his question - but it's not! Still the best way that the show ever brought Tasha back only to have her (apparently) sacrifice herself for the good of the timeline. A nightmare to write it was the episode that had everyone talking - at least for a few weeks until The Best of Both Worlds dropped.

Marittza was just the filing clerk; 

Duet (DS9)

A brilliant tour de force from Harris Yulin and Nana Visitor is topped off with a sublime final scene in which Marittza reveals that his cover story that wasn't a cover story that was a cover story was in fact a cover story because he felt so horrified by the events at the concentration camp. His breakdown is frighteningly realistic and you feel every word.

Uncovering the Borg corpse; Blood Fever (VGR)

Throughout the episode (watch it back) there are little hints and one liners that suggest exactly what has happened to this world. The final pan in shot reveals, hidden in the undergrowth, that the Delta Quadrant was about to unleash its most deadly residents on the crew of Voyager. We'd waited three years for their arrival. The Borg were back.

The Tribbles bury Kirk; 

The Trouble with Tribbles (TOS)

Buried under a heap of Tribbles we see Shatner offer up some of his best comedic acting of not just Star Trek but his entire career. The episode is an undisputed classic of the original run but the very image of Kirk being bombarded by those fuzzy balls of love has remained strong for 50 years. Of course we all know they aren't just falling out of that hatch, Ben Sisko's chucking them around...

"You have no idea what's begun here."; The Jem'Hadar (DS9)

With the introduction of the Jem'Hadar, the destruction of the USS Odyssey and a safe return to Deep Space Nine it seems that we can take a breather but it's down to Quark to reveal the final twist. With one final line, the Vorta Eris disappears and the future of the show changed forever. Cue a massive rehash of the show, a new ship and some of the best stories Star Trek ever made. At the time we honestly didn't know what had begun there.

Sim's Decision; Similitude (ENT)    

Kick a man while he's down huh? Similitude is a rare moment in later Star Trek TV lore when the story really does have the heavy moralistic tale in there and isn't afraid to meet it head on. There's no alien intervention, no clever deus ex machina here to save the clone who has become a part of the Enterprise family in such a short time. His life for the life of another - is it right? Possibly not but the result is really the only way we know the episode can go. 

Kirk’s "Risk is our business..." speech; Return to Tomorrow; (TOS)    

A speech thatis simply legendary in its brilliance both from script and from its delivery. Truly one of the most exceptional points in the series, we see Kirk allowing his crew to make the choice and being prepared to respect their decision should it go against his wishes. The speech reminds both the crew and the audience precisely what Star Trek is about and what Roddenberry envisaged. It's not safe out there but the mission to boldly go and explore new civilisations is at the core of the Enterprise's reason to be. It's why they're out there after all... 

Spock overjoyed; Amok Time (TOS)

An episode that forged the very nature of the Vulcan people for the next 49 years and beyond. I could have picked a ton of stuff from Amok Time but the elation on Spock's face as he realises Kirk is still alive is priceless. As is said on many occasions Spock was not without emotion more that he kept it in check and this release - mere seconds - says so much about his personal relationship with the captain as it does with his own internal turmoils. Nimoy nails it on believability and it never makes you look at Spock any differently because it so perfectly fits the character.  

Data's head; Time's Arrow (TNG)

Not an episode that makes it into a lot of personal favourites but the image of Data's head lying on the floor of a cave underneath San Francisco is just mind-blowing and leads you into a solid 45 minutes of questioning exactly how it ended up there. Having seen the very head itself cemented this as one of my favourite moments in the show's history purely because it is simply so memorable and visually brilliant. The second part is nothing in comparison but it does mean the android's head is 500 years older than his body. Weird.  

"Fascinating"; The Corbomite Manoeuver (TOS)

Admittedly I stole this one after having my memory jogged by The Roddenberry Vault over Christmas. The first time Spock says this single word is character defining and sets him even more apart from the emotional human crew around him. He does very little in the scene, there's no physical reaction, just that one word and with it a generational icon is created.     

The Spock box; Star Trek Beyond 

Let's finish by bringing us bang up to date. Wow. For a film that was better than its predecessor but still fairly average, this moment was a real lump in the throat. Spock receives his older self's possessions and within them is a box that contains a picture of the classic crew lineup in their movie era uniforms (from Star Trek V). Cue classic score and it's THE moment of the film.

That's our 50 moments of choice - is there one you would add or one you might remove...? 

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