Showing posts with label New Voyages. Show all posts
Showing posts with label New Voyages. Show all posts

Tuesday, 3 December 2019

DC Fontana 1939 - 2019


One of the lights of the galaxy has faded.

News has broken today that Dorothy Catherine "DC" Fontana, one of the key members of the original Star Trek writing staff from The Original Series has passed aged 80 on December 2nd.

Meeting Gene Roddenberry while he was making The Lieutenant, Fontana would follow him across to Star Trek and act as story editor for the first two seasons and was involved with writing ten episodes in total - Charlie X, Tomorrow is Yesterday, This Side of Paradise, Friday's Child, Journey to Babel, By Any Other Name, The Ultimate Computer, The Enterprise Incident, That Which Survives and The Way to Eden. The latter two were written under her Michael Richards pseudonym as a freelancer.

But her association with Star Trek would not end there and Fontana would return not just to write the rather excellent Yesteryear for The Animated Series (acting also as associate producer and story editor) but later step onboard for The Next Generation when Roddenberry reunited some of the original team for a second stab at success. 

As associate producer Fontana oversaw story editing once again, penning the first version of Encounter at Farpoint as well as The Naked Now, Lonely Among Us, Too Short a Season and the first true Klingon story of the series, Heart of Glory before moving on due to disagreements and differences that were brewing during the early days of the show. In a sense, DC Fontana is also responsible for the very genesis of The Next Generation, taking it and scripting the pilot episode to launch the series and bring the delicious set of characters to life for the first time on paper.

Her final scripted episode of Star Trek however would be the Deep Space Nine courtroom episode, Dax from its initial season in 1993. She would also go on to write for the fan series New Voyages for their 2006 episode To Serve All My Days which would return Walter Koenig to the role of Pavel Chekov one more time. 

DC worked again in Star Trek on video games Bridge Commander, Tactical Assault and  Legacy but her work was not solely confined to the Star Trek universe seeing her writing for productions for series such as Babylon 5

Fontana's footprint on the Star Trek franchise is certainly far and wide, stretching from 1966 and the first season into computer games and fan series. She is responsible for some landmark events in the show such as the introduction of Spock's parents as well as the birth of one Leonard James Akaar (Friday's Child) who is still now used as a character in the ongoing Star Trek novel series as the head of Starfleet. Fontana also managed to create one of the more memorable (for the right reasons) episodes of Star Trek's third and final season with the return of the Romulans and the plot to steal a cloaking device. One more notable point that the Romulan commander would be another character reused later by Star Trek Continues. In that instance the actress' real life daughter would play the role. 

As for Yesteryear, it is regarded as one of the few animated episodes that strongly resonates even 40 plus years later and many regard as canon due to its insight into the early years of Spock's life on Vulcan. This episode works in much the same way that Dax does or Heart of Glory, in that Fontana has brought background and depth to important characters within the franchise and built believable and memorable facets that are turned to again and again, forming the backbone to many a performance across six decades.

Truly a sad loss to the Star Trek universe. 

Saturday, 24 December 2016

FCD Is Number One


It's Christmas Eve and the long awaited star guest announcement for First Contact Day 2017 has been revealed!

We can now announce that none other than Commander William T Riker (or Thomas Riker if you prefer) Jonathan Frakes will be landing in the UK for the three day event running at the Telford International Centre from March 31st to April 2nd 2017.

Seriously, yes, we said it - Jonathan Frakes - Riker; Number One, the guy who defeated the Borg, the man with the most unique style of sitting down in the known universe will be joining fans in Telford during the 30th anniversary year of The Next Generation. But hey, let's get the man to tell you himself...



Commented organisers Wil Ross; "FCD Out of the Ashes 2.0 represents our biggest challenge yet.

"After what happened to FCD 2016, we had so much love and support but we also lost a lot of credibility with fans. I'm sure they felt for us but when your talking about people thinking their had lost hard earned money on a postponed event, they would have been questioning our credibility and our ability to actually put on this show.............it's natural because I know I would be if the shoe was on the other foot."

While not quite what they had planned, FCD 2016 was still a great fan event run by fans with guests Claudia Christian, John Carrigan, Aron Eisenberg and JG Hertzler all appearing and helping make a great day.

"What people need to understand is that David [Limburg] and I have personally underwritten about 80% of the total cost of this event." said Wil, "The rest will come from early ticket sales etc. Our job now is to convince people that we really mean business and to that end we have upped our game in terms of guests."

Truly they have with a selection already announced and the "big one" held back for Christmas Eve. 

Continued Wil; "We have a stunning line up from across the sci-fi universe - Aron Eisenberg (Deep Space Nine), John Carrigan (Star Trek: New Voyages and more), Claudia Christian (Babylon Five), Rainbow Sun Francks (Stargate Atlantis), David Blue (Stargate Universe), Robert Picardo (Voyager) and Bruce Boxleitner (Babylon Five, Tron). I mean come on, we couldn't top that surely - but we have!!

"So come on, get your tickets and let's have some fun!!"

The inclusion of actor/director Jonathan Frakes is simply huge and shows the dedication and belief that exists around FCD in that they can attract such big Star Trek alumni. Of course it's nice to have the guy who starred in and directed First Contact to be there for First Contact Day!

Get on over to the FCD 2.0 Out of the Ashes Facebook page now for more information and get your tickets booked - we'll be seeing you there!!!

Looking forward to FCD 2017? Who will you be getting an autograph from?


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Friday, 24 June 2016

There'll Be Fan Films But Not As We Know Them


After weeks of speculation, Paramount and CBS have unveiled their guidelines for the future of fan films.

The list of points have been posted most prominently on the star trek.com site and have sparked a great deal of response due to their apparently severe restrictions which will change the face of fan films as they exist. It's also key to note that these are termed as "guidelines" and not rules - however woe betide anyone who would dare to side step their words. 

If we go back to the very end of 2015 we can see that it was the still ongoing legal battle between Paramount/CBS and the Axanar production which has led to the introduction of these guidelines. I for one totally understand that Paramount and CBS have every right to be invested in the use of their intellectual property but the lawsuit against Axanar certainly stirred the pot and devisely split the Star Trek fandom - were you standing with Axanar or against? That was the question most fans were asking each other as we entered the 50th anniversary year.

While I'm not going to get into the nitty gritty of the court case, it is worth saying that even though JJ Abrams announced at the Beyond special event that the suit was going away it is still rolling on with Axanar now counter-suing for losses as well. Oh the fun. However, part of the disagreement did focus on the introduction of fan film guidelines that would stop such instances of productions skirting far more close to the line than the IP holders were happy with as seems to be the case with formerly independent production Axanar.

I'm not a lawyer (yes, honestly I'm not) but the case is still super interesting and certainly the mudslinging, name calling, fan-banning and parody accounts has kept Twitter (and some relevant forums) very entertaining even if it has made the Star Trek fandom look utterly ridiculous at times.  

With the new guidelines announced there was a lot of hate thrown in the direction of Axanar. Whether it's justified or not, the last few months have not been kind to anyone associated with it. Former players have talked out against the project and even persons asked to become involved perhaps through inappropriate means have voiced their concerns about the project. Is the studio being rented to to other productions? What was Peters being paid? What happened to all that donor money - was it spent jetting around the globe to events? Let's not speculate on all the "news" that vomitted out of the original case but the rather scrappy trailer produced recently as well as the latest one minute polished teaser seem to have left fans speechless and shocked at what was promised and what has been produced. As someone who donated I really don't know where I stand going forward or if I will ever see any of the perks promised. Heck, with these new guidelines can Axanar actually be completed? I would say not because there will need to be changes made that will possibly make the project in-viable and what's going to have happened to all that cash?

So to the guidelines.

Well they will certainly mean the end of Axanar as it currently exists and may well have a big effect on series such as Continues, New Voyages and friends of Some Kind of Star Trek, Anthology and Dreadnought Dominion.  Let's break them down and air my thoughts...

1. The fan production must be less than 15 minutes for a single self-contained story, or no more than two segments, episodes or parts, not to exceed 30 minutes total, with no additional seasons, episodes, parts, sequels or remakes.

Being only 15 minutes in length for a single story or 30 for a segmented story plus they can only be one offs. This kills the series such as Continues immediately which has hour long episodes and uses standing sets for repeat productions. Say farewell to your long running fan series which will immediately overrun this rule in one go. Just think about Renegades which has only just started filming its second film.


2. The title of the fan production or any parts cannot include the name “Star Trek.” However, the title must contain a subtitle with the phrase: “A STAR TREK FAN PRODUCTION” in plain typeface. The fan production cannot use the term “official” in either its title or subtitle or in any marketing, promotions or social media for the fan production.

The removal of Star Trek from the title isn't a big thing for Axanar for example but think of the impact for shows such as Continues or New Voyages for example - it's a part of what they are. The inclusion of "A Star Trek fan production on the title card is pretty fine and I don't see there being many issues over that. No shock that you can't use the word "official".


3. The content in the fan production must be original, not reproductions, recreations or clips from any Star Trek production. If non-Star Trek third party content is used, all necessary permissions for any third party content should be obtained in writing.

Basically it's got to be 100% original material and if you don't own the copyright to it you're going to need to ask if it's not a Star Trek property. You can't reproduce anything, copy anything or use anything (clips) from the show or movies. Wondering if this also encompasses using any characters from the show such as Apollo in Continues' Pilgrim of Eternity?


4. If the fan production uses commercially-available Star Trek uniforms, accessories, toys and props, these items must be official merchandise and not bootleg items or imitations of such commercially available products.


So fan productions can't be making their own uniforms or any items that you can buy in a shop. Surely a sign that Paramount and CBS are looking to reap some sort of financial benefit from the shows because a percentage of those item sales will obviously go back to the IP holders at some point. Could push fan films into designing their own props, clothes and accessories but then does that mean it's not Star Trek anymore...?


5. The fan production must be a real “fan” production, i.e., creators, actors and all other participants must be amateurs, cannot be compensated for their services, and cannot be currently or previously employed on any Star Trek series, films, production of DVDs or with any of CBS or Paramount Pictures’ licensees.



So no paying cast to star in your movie anymore. This also puts paid to getting Star Trek actors to guest on your show as has happened in a few of the New Voyages episodes for example (Sulu, Chekov...). This probably comes off the back of Axanar paying its cast to appear - and remember that three of the gents in their Prelude were former guest cast for Star Trek (JG Hertzler, Gary Graham, Tony Todd) so there's another nail in the coffin (yes, Todd has since left the production). Axanar made a lot of its own uniforms, patches and a lot more. Also productions like Renegades may now have to grind to a halt in light of using a plethora of Star Trek actors and making their own props for the film. 


6. The fan production must be non-commercial:

CBS and Paramount Pictures do not object to limited fundraising for the creation of a fan production, whether 1 or 2 segments and consistent with these guidelines, so long as the total amount does not exceed $50,000, including all platform fees, and when the $50,000 goal is reached, all fundraising must cease.

The fan production must only be exhibited or distributed on a no-charge basis and/or shared via streaming services without generating revenue.

The fan production cannot be distributed in a physical format such as DVD or Blu-ray.

The fan production cannot be used to derive advertising revenue including, but not limited to, through for example, the use of pre or post-roll advertising, click-through advertising banners, that is associated with the fan production.

No unlicensed Star Trek-related or fan production-related merchandise or services can be offered for sale or given away as premiums, perks or rewards or in connection with the fan production fundraising.

The fan production cannot derive revenue by selling or licensing fan-created production sets, props or costumes.

Well that's a big one. Axanar is clearly the precedent for this one as it raised somewhere in the region of $1.2million which has been spent in a variety of ways (none of which I wish to speculate on here I would add again!). The ceiling of $50,000 is interesting because I think this means it remains on a "shoestring" budget rather than moving into some serious TV/movie level budgets that Axanar was certainly prodding at with its seven figure fundraising balance. The perk DVD/Blu-ray has now been eliminated by the guidelines effectively reducing the output to the production's website and maybe to YouTube BUT you can't make any money off it whatsoever. Not a shock really with this guideline because it's protecting the IP and making sure only the licence holders are making money off the item that they own.

This extensive point also ensures that the sites can't even have advertising to bring in revenue or offer any items for sale or as tempters to donate money. For a lot of fan productions the ability to give away items is what has made the difference. Again look at the perks from Axanar including those DVDs, uniform items, ship models and the combadges and rifle props that Renegades offered as a further example.

I think we can all understand this is purely the owners making sure there's no cash being pocketed on the side.


7. The fan production must be family friendly and suitable for public presentation. Videos must not include profanity, nudity, obscenity, pornography, depictions of drugs, alcohol, tobacco, or any harmful or illegal activity, or any material that is offensive, fraudulent, defamatory, libelous, disparaging, sexually explicit, threatening, hateful, or any other inappropriate content. The content of the fan production cannot violate any individual’s right of privacy.

No brainer. It's making sure that the Star Trek brand is kept in good repute and I think all fan productions will be able to adhere to that without any effort at all. One thing they all want is to portray the franchise effectively on the screen and for the enjoyment of the fandom.


8. The fan production must display the following disclaimer in the on-screen credits of the fan productions and on any marketing material including the fan production website or page hosting the fan production: 
Star Trek and all related marks, logos and characters are solely owned by CBS Studios Inc. This fan production is not endorsed by, sponsored by, nor affiliated with CBS, Paramount Pictures, or any other Star Trek franchise, and is a non-commercial fan-made film intended for recreational use. No commercial exhibition or distribution is permitted. No alleged independent rights will be asserted against CBS or Paramount Pictures.”
Pretty much the same as the "A Star Trek Fan Production" line that has to be added at the beginning of the movie. Just another subtle reminder to all and sundry who is in charge of the show at the end of the day. I can't pick at this one. Straight forward. 


9. Creators of fan productions must not seek to register their works, nor any elements of the works, under copyright or trademark law.

Fair play. You would be a bit silly trying to copyright something that's already copyrighted and owned by someone else.


10. Fan productions cannot create or imply any association or endorsement by CBS or Paramount Pictures

These last few points don't do anything that's not logical really do they? If it's fan made and glaring says so as per points 2 and 8 then there's no reason why you should be implying the last point here. I guess that Axanar's independence and then comments around the IP holders being absolutely fine with it all must be reasons for this to have been included as the final line.

Commented exec producer for Dreadnought Dominion, Gary Davis when I dropped him a line shortly after the guidelines were announced: "...this is a "gut punch" to stay the least." he said, "These guidelines will bring to an end the Fan Film era as we know it. Under these guidelines any future plans for Dreadnought Dominion would be severely hobbled. The guidelines seem to be aimed at giving consent, yet making it virtually impossible to produce any semblance of a show worth watching.


"We all understand that CBS/Paramount have the right to protect their intellectual property. We further understand that the producers of Axanar overstepped the accepted bounds of crowdfunding, compared themselves with the current Star Trek productions calling themselves a "professional" film rather than a Fan Film, THEN deriving personal income FROM the crowdfunding."

It's good to see that productions - on the whole - recognise the privilege they have been allowed to play in the Star Trek universe but there is recognition that the game has changed and it's a big move by the IP holders.

Continued Gary, "However, just because there was one bad apple, shouldn't mean that CBS/Paramount cripples everyone from producing Fan Films when everyone in the past was adhering to the unspoken "rule" of Fan Films by "not making any money". Its a shame, a travesty, and will really put a bad taste in the mouths of the fans who come to enjoy the genre of Star Trek."

There we have it. A very different day for the fan film community. I like the point that these are guidelines and not RULES but you would be a bit idiotic to ignore them and incur the wrath of Paramount and CBS. Perhaps this won't be the final version and we will see the more prominent productions stepping forward and speaking to the owners about how these rules can be amended. If not then I think we can guarantee an end to the recurring webseries and the more exotic fan films such as Renegades.


It also seems that it will take some time for these rules to fully sink in and it could lead to our favourite web-series existing in a very different format. 

Wrote Vic Mignogna on the Star Trek Continues Facebook page: "Hi everyone, thank you all for your tremendous outpouring of concern and support. First and foremost, we have the utmost respect for CBS and their right to protect their property as they see fit. As soon as we know for sure how the latest developments will impact Star Trek Continues we will most certainly share it with all of you. Star Trek Continues was created purely out of love and tribute, not a desire for profit or self-promotion. Thank you again for all your support. Vic"

Did Axanar become too big? Did those involved believe they were bigger than Star Trek itself? Was it wrong declaring independence? Has it angered people who donated? I think all of those questions aren't as straight forward as they may seem depending on where you sit and that's what's really damaged the fan community - there seems to be no definitive right or wrong when it comes to the people who would be watching the end result.

This will not be the last time we'll hear about these rules as their introduction sends shockwaves across the moviemakers out there. How this announcement will affect productions currently being made or edited is also something that will have to be considered since they were in process before the guidelines were announced. What happens, for example, to the episodes of Continues that are in post-production? I hope that the issues Axanar has thrown up in the last six months do not mean an effective end to fan films but right now I'm very, very uncertain as to what the future holds.

How do you feel about the new guidelines from CBS and Paramount? Is it the end of the fan film?

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Saturday, 11 June 2016

Some Kind of Star Trek: Podcast Episode Two


Back for a second bite and you can find our show notes plus a link to the cast itself right here!

Listen to episode two right now by heading over to Soundcloud or you can find us out there on iTunes by searching "Some Kind of Star Trek". Please rate and review to ensure we keep making more!

This month

  • Star Trek Beyond art work and general promo work
  • 2017 series writers and prospects
  • Teaching Tiff about Star Trek fan series
And here's a few additional notes


Fan series

Star Trek Continues – 2013 to present
7 episodes (6 made)            
Pilgrim of Eternity, Lolani, Fairest of Them All, White Iris, Divided We Stand,Come Not Between the Dragons
TBC Embracing the Winds
Check out our reviews here




AKA Phase 2 from 2008 to 2015
First with extensive standing sets
Takei and Koenig have appeared, Grace Lee Whitney, Denise Crosby, William Windom, Malachi Throne
Come What May, In Harms Way, To Serve All My Days, World Enough and Time, Blood and Fire, Enemy Starfleet, The Child, Kitumba, Mind Sifter, The Holiest Thing
TBC Bread and Savagery, The Protracted Man

           
 Check out our reviews here

Star Trek Exeter  - 
Only two episodes made
2002 and the second took 10 years to be fully released
The Savage Empire, The Tressaurian IntersectionBridge still exists in Starbase Studios

One episode and Federation Rising axed
Here's our review

Star Trek Farragut – 2007 - present
The Captaincy, For Want of a Nail, The Price of Anything, Conspiracy of Innocence
Latest is The Crossing
TBC Homecoming
Live action and animated *two*. Just released new ep The Crossing

Have discussed Dreadnought Dominion, Exeter Trek, Axanar, Star Trek Ambush, Anthology too!


John Carrigan
  • in five eps of New Voyages and one vignette
  • Veteran of Of Gods and Men (Kel’Mag), Star Trek Renegades (Admiral D’Agosta/Klingon Captain
  • Stunts on Phase Two 
  • Acting since 1997 in numerous productions including Brittas Empire
  • Producer on No Win Scenario short for New Voyages

Next month we'll be talking mental health in Star Trek plus our chompings over a couple of the latest news stories.



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Saturday, 23 January 2016

Mothering Instinct: New Voyages' The Holiest Thing


After an extensive delay it seemed that New Voyages' latest offering slipped on line with almost no fanfare whatsoever.

Which is an utter disservice because The Holiest Thing is a cracking hour of original Star Trek material; in fact one of the best they've produced. Be warned if you've not watched it yet, there will be SPOILERS as we examine their ninth installment. 

With a slight revamp of the ship, we find the USS Enterprise attending Lappa III and a terraforming project led by Doctor Carol Marcus (Jacy King). An apparently freak accident vapourises the Federation ground base and leaves a large crater prompting Kirk to launch a full scale investigation.

The episode, written by Rick Chambers, is the origin story of the Kirk/Marcus relationship that formed a central part of The Wrath of Khan and will no doubt be totally overlooked for the upcoming Beyond.  It also marks the first time Brian Gross took on the role of Kirk even though we've already seen him in Mind Sifter which was released last year. That episode was a lot darker than the material Gross is presented with in The Holiest Thing and acts as a great comparison to show the range he is able to carry in the lead role. I actually preferred Brian here in a story that felt much more personal which I suspect was helped due to the fact that this is a script which focuses on a select number of the crew.

It's been a long time coming for The Holiest Thing. Originally set to be uploaded for Valentine's Day 2014 - as promo'ed at the end of Kitumba - but the choice was made to hold the release, rework it, give it an even better polish and present it to the world in a format that the production team were happy with. I can't fault the decision because it's a great episode for the most part led by a top script and some of - if not the best - lead acting in an episode of New Voyages.

As I've noted, Brian Gross is exceptional as Kirk and suits the more intimate one-on-one material and certainly exploring the captain's softer side is something that he's nailed. Perhaps the bigger surprise - and a pleasant one - is Jacy King as Carol Marcus. Whether delivering technobabble or expressing her emotions to Kirk as their relationship develops, King is totally believable and may well be the real star here. I found her performance one of the best in New Voyages and certainly their strongest guest star to date.

Also returning are Brandon Stacey as Mr Spock and John Kelley as Doctor McCoy. Both are firm stalwarts of the New Voyages episodes providing their usual, excellent portrayals of the iconic characters. Oddly though, Stacey does seem to be opening up Spock's emotional side with a hint of his human half ebbing through in more than one scene. Both Spock and McCoy play critical roles here. The science officer leads the investigation into the events that have transpired on the planet surface with Doctor Marcus and stands to the "business" aspect of Kirk. On the other side we have the Chief Medical Officer who acts to calm the captain's emotions as he falls for Carol. Kelley always seems to revel in the role and his interactions with Kirk are particularly good to watch and balance against some of the conflict/uneasiness you can sense the captain has with Spock in this story. I kind of think the Vulcan is finding his bromance threatened with that discomfort more than evident.

The choice to place Scotty, Sulu and Uhura (no Chekov this time) very much in the background does mean that their actors don't get a huge shot at the limelight here but it means the pacing is kept particularly tight and there's no baggage here. Everything just damn well works and it's a great episode from beginning to end. Chambers also drops in some key points that homage the second Star Trek feature film - terraforming, life from lifelessness, protomatter and more. The nice thing is that they actually work within the script and don't feel like the writer is just hammering them in for the sake of making fans go into continuity overload.

Graphically it's once again superb. The updated nacelles and forward torpedo tubes start to make the transition from TV to movie starship. For some this might seem a bit weird but I'd recommend watching the vignette Going Boldly which shows the upgrades taking place.  Sadly there's no CG Lieutenant Arex this time but we can hope for the future! The Ferengi ship too is very faithful to their species and the confrontation between the two vessels is stunning with the Enterprise emerging from the darkness to discover the hidden opponent. The environment of Lappa III is well realised in both the opening segment and in the away mission undertaken by Spock and Marcus. Nod for the homage to the forcefield spacesuits of The Animated Series too! 
However...


This is all well and good for the first 43 minutes but then things take a bit of a turn. For the first section of the episode we've been wondering what has been the cause of the explosion - an accident or outside intervention? When it's revealed that there's an alien ship hiding out we have some idea that there's more to this than we initially thought but the problem I have is who these aliens are revealed to be - the Ferengi.

While their motivations are feasible and trade with the outpost (unbeknownst to Doctor Marcus) to provide them with the ability to make protomatter makes total sense, I don't see why it had to be the Ferengi. It could have been a new race, even Romulans for instance but the appearance of the galaxy's most profit-hungry merchants doesn't seem to fit. The performance of guest star Clayton Sayre as the Ferengi Commander is spot on but they aren't a race I would associate at all with The Original Series.


The other challenge this episode has is the pacing of the last ten minutes. Chambers has done a magnificent job to this point but then we seem to have a lot that he wants to cover in a very short period of time; the reason for Carol requesting that Kirk leaves her alone and "stays away" and that she's pregnant. Hang on a minute - haven't these two only been together for a matter of days?! That's good going if ever...

I appreciate that the Kirk/Marcus origins story is something never covered onscreen but to ram such big plot points into a tight epilogue does make it feel very rushed. I actually believe they could have left off both these points and kept this story as an initial meeting and the start of a relationship. Certainly the concluding revelation does line up with the concept of Marcus as the "mother" of new worlds (if only she knew...) but this could have been explored in a follow up or even just a little vignette/afterwards.

One final point has to be to recognise Carl Sheldon who appears as the older Scotty in the prologue and epilogue of The Holiest Thing. Very similar to the wraparound of Captain Sulu in World Enough and Time it shifts the series firmly to the modern day and recognising the later spinoffs while adding a new twist to the classic series. It's also one piece of the episode that was shot long after the original material was filmed thanks to Kickstarter funds raised by fans.

New Voyages has played a blinder here. A truly great character episode that has evaded the screen for too long. Gross has certainly affirmed his abilities in the role of Kirk and I simply can't wait to see what the next story, Torment of Destiny, has to offer. This is set as a sequel to the classic For the World is Hollow and I Have Touched the Sky guest starring Battlestar Galactica's Richard Hatch. Plus it seems we may eventually get to see the lost Origins story written and directed by David Gerrold. Hopefully more on that one soon.

Did you enjoy The Holiest Thing? Is it one of New Voyages' finest hours?

Check out their website for more adventures and news HERE


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