What was my expectation?
I was very wrong and should be scolded for such an unusually closed opinion.
Open a Channel is likely to be seen as one of the most ground-breaking books in Star Trek literary history and rightly so.
Encompassing every generation from The Cage right up to Strange New Worlds, Nana Visitor has taken an incredible deep dive into the very foundations of not just the Star Trek franchise but the fabric of Hollywood across the last 60 years.
Insightful, funny and at some points incredibly dark and personal, A Woman’s Trek never fails to be brutally honest. The personal experiences of Visitor herself are laid very starkly open at times as is the treatment of women in the industry right back to the first sparks of Star Trek’s existence.
Including interviews with Gates McFadden, Denise Crosby, Terry Farrell, Alice Krige, Nicole De Boer, Christina Chong, Tawny Newsome, Jeri Ryan and many many more, Visitor manages not only to capture the journeys of main cast actors but also recurring stars who graced the Star Trek franchise. It does feel as though every stone has been turned to provide the most complete picture of a female perspective to Star Trek ever.
While the interviews of original cast members such as Nichelle Nicholls and Grace Lee Whitney are gleaned from talks they gave before their passing, these are some of the more gut-wrenching sections of the book. Or at least you think so at the time.
The further into this book you get, you realise that it’s not consigned to the past and was going on in many different ways both verbal and physical for decades. The thing is, it didn’t and it hasn’t. While the towards the end of the book and into the Kurtzman era it’s certainly not prevalent, the male/female equality of the industry still seems out of balance although a million trillion light years from where it was. The “casting couch” is a thing of the past as is the need to be “f**kable” as it’s termed several times. Visitor aso encounters (it seems) quite a bit of hostility and caution when interviewing indicating the hold around TV and film that continues to protect some of its more grimy secrets and views.
This is also a pretty heavy book not just in content but in weight. More a coffee table volume than a paperback novel, A Woman’s Trek covers every aspect and angles, even taking the time to include Jennifer Lien’s Kes even though the actress has distanced herself from media due to ongoing personal challenges.
Maybe the disappointment here is the choice by Marina Sirtis not to be involved with the project in any way. Is this an indication she is becoming tired of Star Trek or the industry as a whole? Perhaps it's not right to speculate but given the prominence of Deanna Troi in The Next Generation and how that character was sold in the first few years, it’s a voice that is distinctively missing from the book.
Jeri Ryan’s insights are as close as we may get to Sirtis’ outlook with her playing two very different sides of Seven of Nine through Voyager and then Picard. While not devoid of the brains that Sirtis often notes happened before she regained a uniform, Ryan is more than aware of what her Voyager version of the character was doing for the series and how it came to move away from that necessity in later seasons.
Discovery, Strange New Worlds and Picard have certainly not had to deal with that visual “requirement” rather focusing on strong, independent female roles that have been key to all those live action shows in different ways and been played as absolute equals among the ensemble.
Interesting too is how some of the actors were almost pigeonholed into certain types of roles with Linda Park especially calling that out in terms of the underused Hoshi Sato or Roxann Dawson finding that she was being funnelled into Latin American roles that she had no desire to play. In that latter instance Torres gave her the opening which has seen her flourish into an in-demand director so Star Trek has certainly offered options even if it was a fight to get there as both she and Gates McFadden relay.
It’s very easy to recommend this book to any fan. Certainly a reflection of the current times as well as the uneven, shoddy and downright horrible history that has dogged female representation in the TV and film industry. While this focuses absolutely on Star Trek it’s easy to transpose the opinions and experiences of those involved here to other shows and movies. Truly an inspiring read and a book that will without doubt alter your views on STar Trek’s importance to diversity, inclusion and equality.
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