Wednesday 20 March 2019

Close to the Edge: Project Daedalus S02 E09


WTF

Spock's all fixed up however the attention this week turns from him - placing him almost into a B story with the main line being taken up by the little-addressed Lieutenant Commander Airiam.

Enigmatic doesn't come close since we've learnt absolutely nothing about this visually striking member of the Discovery crew since her appearance in the third episode of season one. Now in Project Daedalus we finally get some answers - she is an augmented human - plus we are hinted at just what has led to her current appearance.

Hannah Cheesman gets to play Airiam in and out of makeup this week as we explore a little of what it's like to be augmented but there's something lurking in the background waiting to awaken. When the Discovery heads to complete its rogue mission things begin to heat up.

Also returning this week is Jane Brook as Admiral Cornwell whose allegiance remains with Starfleet and not, as we might have suspected from an earlier encounter, with the dark Section 31. Looks like Starfleet itself is having issues with Control; the Section 31 computer system that has stopped relaying data from the organisation's headquarters located at a former penal colony...located in the middle of the universe's most intuitive minefield. Get in, solve the problem and speak to the admiral aboard; no problem.  

Additional bonus points for this week as Lieutenant Nhan (Rachel Ancheril) from the Enterprise returns to assist Burnham and Airiam on their away mission to the inhospitable Section 31 headquarters. Now Discovery's chief of security the Barzan gets a bit of a rough deal but manages to survive longer than her predecessor in season one...

But of course there is because the mines are being controlled and are anticipating the moves of the Crossfield Class starship. Blade mines cut the hull, blackout mines fool sensors and there are even ones attracted to shields meaning Discovery has to go in with its pants down and Detmer steering very, very carefully.

In parallel to this we have Burnham and Spock sparring as they attempt to crack the mystery of the Red Angel and why it contacted the Enterprise science officer in the first place. It leads to some incredibly charged moments between the estranged brother and sister over a hard fought - or maybe hard lost - game of three-dimensional chess. That repeated reminder that this isn't the Spock we know and love rears its head prominently here and Ethan Peck gets a lot of meat to dig into, unhindered by Spock's usually logical and stoic personality. He gets angry, riled, on the offensive almost bordering on emotional as Burnham starts to push his buttons in relation to the game and family matters.

Peck is great in the role. He really has taken it to be his own and make this iteration of the character different from the previous incumbents. He has the benefit of a more open canvas thanks to the nature of this season's story plus he is playing Spock at a time in his career that we have only seen in one episode many moons ago. This is unknown territory that he can build for the character and in an unusual move, expose his human side to the Star Trek audience. But he really does step aside from the limelight this week in favour of that other character; one that we knew would become more significant after a certain moment from a previous moment.

With Airiam you don't actually realise how much you've become attached and used to this character being around in the series. We do get to see more of what she's actually doing but this all ties in with the trip to the Section 31 HQ and also back to the lifeform we encountered earlier in the season that downloaded its lifetime of knowledge into Discovery's memory banks. Hannah Cheesman's portrayal has been incredibly minimal throughout season two since taking over the role from Sarah Mitich and while the bridge crew have been receiving a lot more screentime it's amazing to see a character plucked out and used in such a huge game changing way for the series. 

The visuals for the station as well as Discovery's journey through the minefield are spectacular but I was actually more struck with the arrival of Cornwell's shuttle at the very beginning as well as the starship gearing up for and jumping to warp speed. The upgrades to the Discovery CG model are amazing with such strong definition to the panelling and lighting that you can almost reach out and touch it on the TV. 

Project Daedalus, the namesake of the episode is itself still a secret even when we do reach the Section 31 headquarters. This looks like another thread in the Red Angel story but where does it all link in and how does Control fit with the overall arc for the season? This is a piece only recently introduced but I can't believe it's not there for a reason. In the same way it does mean I'm considering at least Calypso as a more significant segment of the Discovery story since it deals with the (far) future and time travel is without question a part of the tale and revelations yet to come from the series.


Another great episode here with one of Discovery's most shocking scenes to date. I didn't believe that it could happen but that may have been since we were lured into a similar eventuality with the Saru homeworld visit in The Sound of Thunder.  New Star Trek is taking risks and is grasping at the new form of televised storytelling; nothing is safe or sacred and Discovery is all the better for it.

Is Project Daedalus one of Discovery's most unexpected milestones?


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